Musical

When drag queen Anthony (Hugo Weaving) agrees to take his act on the road, he invites fellow cross-dresser Adam (Guy Pearce) and transsexual Bernadette (Terence Stamp) to come along. In their colorful bus, named Priscilla, the three performers travel across the Australian desert performing for enthusiastic crowds and homophobic locals. But when the other two performers learn the truth about why Anthony took the job, it threatens their act and their friendship.
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The partially fictionalized film is set in 1977, the year in which Callas died, and centers on the making of a movie of Georges Bizet’s Carmen. The diva, whose now-ragged voice is well past its prime, is persuaded to star in it by longtime friend and former manager Larry Kelly, who abandoned classical music to become a rock impresario. He insists by lip-synching to her old recording she will recapture her lost youth and leave behind a priceless legacy for her admirers, and his theory is supported by Callas confidante and journalist Sarah Keller.
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Pyotr Ilyich Tchaikovsky is given the Ken Russell treatment in The Music Lovers, which means that there is plenty of music, plenty of passion, plenty of debauchery, and plenty of excess. Tame by Russell’s later standards (Lisztomania), The Music Lovers nevertheless thrives on creative and sexual anguish. Richard Chamberlain plays Tchaikovsky with a bug-eyed intensity as a composer consumed by his art – so consumed that his romantic attachments become bisexual and irrational. He falls in love with Nina (Glenda Jackson), the hysterical trollop he marries with dire consequences. As he explodes emotionally, his public performance of Piano Concerto in B flat minor becomes a cue for flashbacks to a series of discomforting childhood events that suggest incestuous relations with his sister. Back in real time, Tchaikovsky has to deal with Nina’s outbursts while juggling his homosexual urges and his almost hidden desire for Count Anton Chiluvsky (Christopher Gable). The film also details the curious relationship between Tchaikovsky and his rich patroness, the middle-aged widow Madame Nadedja von Meck (Isabella Telezynska), who loves Tchaikovsky deeply, but refuses to meet him – their only communication being through letters, even though he lives on her estate. Andre Previn and the London Symphony Orchestra perform Tchaikovsky’s music.
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Archival footage, live performances, and interviews conducted by none other than Clint Eastwood depict the life and career of Tony Bennett.
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Neil Diamond stars in this motion picture as Yussel Rabinovitch, a young Jewish cantor who strives to make a career outside the synagogue in popular music as Jess Robin. Against the wishes of his rigid father and his loving wife, Yussel travels from New York City to Los Angeles to play his music. Swept up by the excitement, he meets a spunky manager who believes in his talent and shares his dream. He grows apart from his family, and becomes confused about what he should ultimately do with his life.
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Music for the Movies: Bernard Herrmann is a 1992 documentary film directed by Joshua Waletzky. It was nominated for an Academy Award for Best Documentary Feature.
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After their production “Princess Ida” meets with less-than-stunning reviews, the relationship between Gilbert and Sullivan is strained to breaking. Their friends and associates attempt to get the two to work together again, which opens the way to “The Mikado,” one of the duo’s greatest successes.
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Jonathan Street is a struggling composer when he meets and marries Annette. The problem is that Jonathan was drunk and does not want to be married. Annette does go with him to Paris and does the cooking and cleaning. To get his music published, Annette takes it to Paul and he is won over – by her voice and not the music. So he manages her career and she becomes a star as an opera singer everywhere she goes. Since Jonathan cannot sell anything he writes, he leaves Annette and that makes Annette sad as she wants only to be his wife.
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This musical romance is set during the Great Depression and centers upon the rocky marriage between a flapper script girl and her band-leader spouse. Prior to the big stock market crash, they spend much of their time touring. She tires of it and returns to her country home. Unable to find new bookings, he soon joins her and brings with him his acerbic, cynical manager. The bandleader finds the pastoral life a crashing bore and so heads for the big city to find fortune. Fortunately, by the story’s end, he succeeds and happiness is the result. Songs include: “Crazy Rhythm,” “You Were Meant for Me,” “Goodnight Sweetheart” “Sweet Georgia Brown” and “What Can I Say After I Say I’m Sorry.”
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Three American lovelies room together in Madrid and all manage to get themselves into seemingly unhappy relationships with fellows.
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