Musical

Nora Walker is told that her British fighter pilot husband is missing in action and presumed killed in World War II. On V.E. Day, Nora gives birth to their son, who she names Tommy. While Tommy is an adolescent, Nora marries Frank, a shifty camp counselor. Shortly thereafter, Tommy suffers an emotionally traumatic experience associated with his father and step-father, which, based on things told to him at that time, results in him becoming deaf, dumb and blind, a situation which several people exploit for their own pleasure. As Nora tries several things to bring Tommy out of his psychosomatic disabilities, Tommy, now a young man, happens upon pinball as a stimulus. Playing by intuition, Tommy becomes a pinball master, which in turn makes him, and by association Nora and Frank, rich and famous. Nora literally shatters Tommy to his awakening, which ultimately leads to both the family’s rise and downfall as people initially try to emulate Tommy’s path then rebel against it.
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Rosalba, a young tourist guide, suffers from a strange ailment: the very least melody sets off in her gesticulation and she beings to dance, as suddenly as uncontrollably. Despite her ruses to hide her eccentricity, this uncontrollable body might well seduce her surprising co-worker, Alain.
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This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.
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A young navy lieutenant is brought in as techninical adviser on a song-dance-and-swim film being made by screen star Rosalind Reynolds. Having once done a number with her – and been kissed at the end – at a Forces show, the young lad somehow believes she should be his girl. Her boyfriend – and fellow co-star – is just one of those disagreeing.
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In Paris, when the owner of the nightclub Mississippi in Pigalle Paul Latour is wanted by the police accused of distribution of forged dollars in his club, he asks his protégée and lead attraction of Mississippi Jean Clery to protect his beloved daughter Brigitte. Jean is engaged of the psychoanalyst Lily and brings the wild and rebel Brigitte from her conservative boarding school to his fancy apartment while Paul travels to Lausanne to meet a friend to clear his name. While waiting for the return of Paul, Brigitte turns Paul’s life upside down and they fall in love for each other. But the Parisian police and the counterfeit ring are chasing Brigitte, but Jean, his butler Jerome and his friends protect the girl.
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When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can’t believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life.
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When drag queen Anthony (Hugo Weaving) agrees to take his act on the road, he invites fellow cross-dresser Adam (Guy Pearce) and transsexual Bernadette (Terence Stamp) to come along. In their colorful bus, named Priscilla, the three performers travel across the Australian desert performing for enthusiastic crowds and homophobic locals. But when the other two performers learn the truth about why Anthony took the job, it threatens their act and their friendship.
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The partially fictionalized film is set in 1977, the year in which Callas died, and centers on the making of a movie of Georges Bizet’s Carmen. The diva, whose now-ragged voice is well past its prime, is persuaded to star in it by longtime friend and former manager Larry Kelly, who abandoned classical music to become a rock impresario. He insists by lip-synching to her old recording she will recapture her lost youth and leave behind a priceless legacy for her admirers, and his theory is supported by Callas confidante and journalist Sarah Keller.
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Pyotr Ilyich Tchaikovsky is given the Ken Russell treatment in The Music Lovers, which means that there is plenty of music, plenty of passion, plenty of debauchery, and plenty of excess. Tame by Russell’s later standards (Lisztomania), The Music Lovers nevertheless thrives on creative and sexual anguish. Richard Chamberlain plays Tchaikovsky with a bug-eyed intensity as a composer consumed by his art – so consumed that his romantic attachments become bisexual and irrational. He falls in love with Nina (Glenda Jackson), the hysterical trollop he marries with dire consequences. As he explodes emotionally, his public performance of Piano Concerto in B flat minor becomes a cue for flashbacks to a series of discomforting childhood events that suggest incestuous relations with his sister. Back in real time, Tchaikovsky has to deal with Nina’s outbursts while juggling his homosexual urges and his almost hidden desire for Count Anton Chiluvsky (Christopher Gable). The film also details the curious relationship between Tchaikovsky and his rich patroness, the middle-aged widow Madame Nadedja von Meck (Isabella Telezynska), who loves Tchaikovsky deeply, but refuses to meet him – their only communication being through letters, even though he lives on her estate. Andre Previn and the London Symphony Orchestra perform Tchaikovsky’s music.
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Archival footage, live performances, and interviews conducted by none other than Clint Eastwood depict the life and career of Tony Bennett.
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