Horror

When Allan becomes a quadriplegic he loses all hope for living until he meets Ella – a monkey trained to fetch and carry for him around the house, obeying him in all things. But Ella is part of another experiment, and when she starts responding to Allan’s underlying rage and frustration she has the ability to carry out her master’s darkest wishes.
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Despite her will to become a mother, So Yeon cannot achieve her goal because of her husband’s uncooperative behavior. Even though he showed her no response, she tried many ways to reach pregnancy. Knowing her mind, her husband feels guilty for not being able to do anything more and then try to stay away from her and his remorseful conscience. As a last resort, So yeon finds an isolated restaurant on an isolated island. With the help of the restaurant’s owner, she draws a plan for her husband…
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After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted.
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As famous surgeon, George Winson, lies on his deathbed, his wife Ann calls on unknown powers to save him. A strange woman (Lilyan) appears from nowhere and takes control. George recovers, but he’s mysteriously dominated by Lilyan, and leaves his wife. When the evil woman tempts him into letting his best friend (Roger) die Wilson realizes that Lilyan wants his soul in exchange for the chance to continue living.
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When scientist Dr. Carrington (Robert Cornthwaite) reports a UFO near his North Pole research base Read More »

At a party, someone goes insane and murders three women. Falsely accused of the brutal killings Read More »

A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. Read More »

In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home…
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In the best traditions of Japanese mystery stories which place fiendishly elaborate plots at their centre, Murder at the Doll House more than succeeds as a classic detective story. We’re presented with a set of strange occurrences which our master sleuth will explain to us in a long lecture at the end and even if one or two twists are a little obvious, the satisfaction involved in having figured them out ahead of time outweighs any kind of disappointment. Toshio may say he wants to be like Philip Marlowe but in actuality his detective is a little more in the European mould – almost like a more active Poirot or a slightly less obtuse Sherlock Holmes. Still, donning a trench coat with a turned up collar yet eschewing the classic hat which would have obscured his giant ‘70s perm, Matsuda once again turns in a very “cool” performance as super smart private eye.
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Valiant scientist Dr. Cory (Lew Ayres) knows he must resort to unorthodox methods in order to save ailing tycoon Tom Donovan, so the surgeon removes the wealthy man’s brain and manages to keep it functioning with electrical stimulation. Unfortunately, it isn’t long before Donovan’s brain somehow possesses the kindhearted Dr. Cory, who then begins to behave like the heartless Donovan. Cory’s wife, Janice (Nancy Davis), and friend Dr. Schratt (Gene Evans) try to intervene, with horrific results.
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