Erotic

Young Timmy starts as a window cleaner in the little company of his brother. Soon he learns that some female customers expect additional service. Young and curious as he is, he reluctantly accepts the juicy duty. However his heart belongs to Liz, who demands the highest commitment until she lets him go all the way.
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A lonely teen spending his summer at a posh Swiss villa, is going through agony as it seems that everyone has somebody except for him. He finally learns that good things happen to those who wait, as he meets a gorgeous, virginal, nymphet, played by Syllvia Kristal. Lots of T&A, together with plenty of laughs, in this romp in the Swiss hillsides.
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At the girls’ school, the young teacher requests the young women to prepare a lecture on the topic “The Preliminaries”, for next week, before the year’s end. The girls would contact him if they had any problems with their work. Thus a series of sexual experiments start, which will involve the whole class, and even the teacher.
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In Zola’s Paris, an ingenue arrives at a tony bordello: she’s Nana, guileless, but quickly learning to use her erotic innocence to get what she wants. She’s an actress for a soft-core filmmaker and soon is the most popular courtesan in Paris, parlaying this into a house, bought for her by a wealthy banker. She tosses him and takes up with her neighbor, a count of impeccable rectitude, and with the count’s impressionable son. The count is soon fetching sticks like a dog and mortgaging his lands to satisfy her whims. She bankrupts him, arranges the debauching of his wife, and seduces his son on his wedding day. What else can she accomplish before she leaves Paris airborne?
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The young girl Flossie comes straight from a Swiss boarding school to Stockholm where she meets a young embassy clerk. Together with her friend Eva each tell the other two of previous sexual encounters. (uncut version)
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Italy in the early 1930s. To the elderly aristocrat Gerard Villeneuve, all that is left of Leonora, the love of his life, are a number of erotic tape recordings. Leonora led a double life as respectable wife and mother of two, and as a whore at the local brothel. Now, after her death, her children Ursula and Edmund pass under the tutelage of Gerard. Having not seen them for many years, he is utterly bewildered by Ursula’s uncanny likeness to her mother. While Gerard’s mistress Fiorella takes care of the sexual needs of Edmund, Ursula follows the last instructions of her mother. In the process, she uses the legacy of her mother’s recordings to get into the mindset of her relationship with Gerard. Is Gerard ready to find his lost love Leonora again…in the likeness of her very daughter?
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This movie centers around a group of people that are both very Italian-Catholic and the same time oversexed and jaded European bourgeosis from the late “dolce vita” era. The main protagonist is a former priest who has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex somehow more enjoyable, and this somehow leads to his strange fascination with photographing asses . He gets involved with a sexy married woman (Martine Brochard), but he is more interested in her virginal maid (Gloria Guida)–or, to be more specific, in the maid’s ass. The woman’s husband meanwhile, a hilariously pretentious actor, discovers the affair. Strangely, he is not angry at his wife’s infidelity but depressed that she was so indiscreet, and he too takes solace in his maid’s ass.
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Liberated ’70s couple seduce another couple into experimentation with bisexuality and group-sex.
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Franco at his finest – somebody get this film on DVD now! This obscure Golden Films production got to pop the Franco-cherry on my new movie projector. It was just the right choice! Lina Romay, chubby like she just walked out of an Anders Zorn-painting, plays Irena (Female Vampire flashbacks, anybody?) who’s part of a kind of hypnosis nightclub act with the magician Fábian. He’s not a very nice guy and uses his hypnotic powers to use poor Irena as an instrument of vengeance, sleeping with and killing off his enemies. Or is the whole set up just part of her nightmares? An unusually good, hypnotic (in both meanings of the word) sleaze flick that really shows what Franco can achieve with extremely limited resources – some hotel rooms, a handful of actors (the same old faces that’s in all films from this period), a film camera and some re-used Daniel White music. Man, I really love this stripped down Golden Films stuff when it’s done right and this films is much closer in spirit to, say, Macumba Sexual than Mansion of the Living Dead. Parts of the film are almost delirious. There’s a thick, intimate atmosphere and interesting experimental photography. Some scenes are almost bordering on the poetic, for example we have a beautifully shot long kiss filmed through a glass door, bathing in sunlight. Say what you want about Lina’s acting capacity but here she gives all she’s got, somewhat reprising her roles in Female Vampire and Doriana Gray. Even though the story itself is more similar to Nightmares Come at Night. Highly recommended!
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Female writer who as part of a book project has slept with 99 men . Her 100th unsuspecting “victim” is an American architect who she first seduces on a New York ferry and then begins a very hot and semi-kinky affair with despite the fact he’s due to be married in 11 days (and 11 nights). A love lust triangle soon develops between the writer, the architect, and the latter’s bride-to be
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