Drama

Christmas, family, and infidelity. Yvette’s husband has died, and her grown daughters join her at the grave: Sonia, wealthy, bourgeois, and generous; Louba, living with their dad Stanislas, singing at a Russian restaurant, penniless, the mistress for the past 12 years of a man who will never leave his wife; Milla, the youngest, acerbic, lonesome. Christmas was when they learned their parents were divorcing 25 years ago. Over the next few days, yuletide depression, Louba’s pregnancy, Sonia’s crumbling marriage, Stanislas’s overtures to Yvette, and Milla’s attraction to the man who’s her father’s rent-free lodger lead each one to re-examine self, family, and hopes. Is renewal possible?
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Gia – erotic voice the night air of Los Angeles. Every night, she titillate his audience with stories of love and passion, danger and desire. However, when an unknown voice on the phone cold reports that he was aware of her “dirty” past Dzhie is frightening. The danger is somewhere nearby. Suddenly, Jia is a skillfully woven webs of deception and cunning. She was beginning to come threatening notes and photographs, which show the most intimate moments of her life. The police is unable to help her. Jia begins to suspect everyone around, and, finally, is alone with their fears. As soon as threats are becoming more realistic, Jia forcing its own investigation. Otherwise, its exciting, sweet voice can be silenced forever.
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Miss Marple investigates the murder of one of her fellow trustees of a fund which rehabilitates young criminals. To investigate she goes aboard the ship used to train the juveniles, much to the distress of the Captain. She soon stumbles onto more murders, and a ring of thieves.
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Old miss Marple is on a train ride when she witnesses a murder in a passing train. She reports it to the police but they won’t believe her: since no body can be found there can’t have been any murder, right? As always, she begins her own investigation. The murder was committed while passing Ackenthorpe Hall and miss Marple gets herself a job there, mixing cleaning and cooking with searching the house for clues.
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Three disparate travelers, a disillusioned preacher, an unsuccessful prospector, and a larcenous, cynical con man, meet at a decrepit railroad station in the 1870s Southwest. The prospector and the preacher were witnesses at the singularly memorable rape and murder trial of the notorious Mexican outlaw Carasco. The bandit duped an aristocratic Southerner into believing he knew the location of a lost Aztec treasure. The greedy “gentleman” allows himself to be tied up while Carasco deflowers his wife. These events lead to the stabbing of the husband and are related by the three eyewitnesses to the atrocity: the infamous bandit, the newlywed wife, and the dead man through an Indian shaman. Whose version of the events is true? Possibly there was a fourth witness, but can his version be trusted?
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A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits the ultimate degradation of robbing a church poor box in order to feed his compulsion.
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In the summer of 1935, 12-year-old twins Niles and Holland Perry live with their family on a Connecticut farm. Their loving grandmother Ada has taught them something called “the game.” A number of accidents begin happening, and it seems to Niles that Holland is responsible. It is Ada who begins to see the truth, and she is the only one who can stop this macabre game of murder.
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The deranged Roman emperor Gainus ‘Caligula’ (Little Boots) Caesar (12-41 A.D.) rules Rome with an iron fist and has anyone tortured and exectued for even the slightest insubordination. Mostly set during his last year of his reign, as Caligula loses support due to his brutal and crazed excess, a young Moor woman, named Miriam, becomes his lover while ploting to kill him to avenge the murder of a friend which Caligula was responsible for. But Miriam is torn between her personal vandeda against Caligula and her own personal feelings towards him despite his madness and debauched lifestyle of orgies and bloody torture murders.
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A Dutch woman escapes her family life in search for happiness in the Portuguese Algarve.
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Frailer tells the story of an actress playing a part that reflects her real life story. Whilst playing a woman dying of cancer, Muis her doctor tells her she has not much more time left. She will die soon. The film follows the transition of her and her film sisters, shifting from their characters to who they really are, actresses dealing with their friend upcoming death. We watch Leonoor become physically frailer but mentally stronger as she is slowly accepting her faith. Whilst ending the film, she leaves her film sisters, her real life husband and children but also the viewer, behind forever.
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