Drama

Hamesh shaot me’Pariz / Five Hours from Paris (2009) Leonid Prudovsky, Vladimir Friedman, Efim Gelman, Ohad Gil, Drama

Hamesh shaot me'Pariz (2009)
Only 5 flight hours from Paris, in a working-class suburb of Tel Aviv, two people meet. He is a bred-and-born Israeli and she is a Russian immigrant. He is a taxi driver and she is a music teacher. He has no aspirations. She gave up hers long ago. He is afraid of flying and she is about to fly away. What are the odds of them ending up together?
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La viaccia / The Lovemakers (1961) Mauro Bolognini, Jean-Paul Belmondo, Claudia Cardinale, Pietro Germi, Drama

La viaccia (1961)
The original Italian is La Viaccia (the name of the family farm which motivates the plot). The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man’s property. But Ferdinando’s nephew Amerigo holds out. Amerigo’s stance is weakened when he heads for Florence and meets prostitute Bianca.
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La luna / Luna (1979) Bernardo Bertolucci, Jill Clayburgh, Matthew Barry, Veronica Lazar

La luna (1979)
Recently widowed American opera diva Caterina takes her teenaged son Joe with her on a long singing tour to Italy. Absorbed in her hectic work in various Verdi operas around Rome, Caterina is soon shocked to discover that her troubled and lonely son has become a heroin addict. Her desperate attempts to wean the youth off the drug result in an incestuous relationship, but also in a possibility to reunite Joe–maybe even herself–with his real father, whose existence she has kept a secret from him.
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Lianna (1983) John Sayles, Linda Griffiths, Jane Hallaren, Jon DeVries

Lianna (1983)
Lianna and her husband Dick have been married for a few years but the marriage isn’t a happy one, since Dick treats her with arrogance. One day Lianna falls in love – with Ruth, a teacher. The people who know them act different: her husband with feelings of sexual betrayal, her children with curiosity and Lianna’s friends with ambivalence.
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Wish You Were Here (1987) David Leland, Emily Lloyd, Trudi Cavanagh, Clare Clifford

Wish You Were Here (1987)
In a staid English seaside town after the Second World War, young Lynda grows up with her widowed father and younger sister. Rebellious Lynda has been swearing constantly from an early age. At sixteen, she becomes more exhibitionist and seeks out sexual encounters challenging the prevailing lower-middle class attitudes to sex. She eventually becomes pregnant by an acquaintance of her father.
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L’uomo che verrà / The Man Who Will Come (2009) Giorgio Diritti, Maya Sansa, Alba Rohrwacher, Eleonora Mazzoni

L'uomo che verra (2009)
Winter 1943. Martina is small child, who stopped talking since the death of her infant brother some years before. She lives in a rural area of central Italy. Her mother is pregnant again and Martina lives for the arrival of her new brother. Meanwhile, the war is getting closer and closer, forcing the people of the village to tread a difficult path, torn between the partisan brigades and the Nazi Army. On practically the same day as the birth of Martina’s brother, the SS start a massive roundup of civilians in the area, an infamous event that will come to be known as the Marzabotto massacre during which more than 770 people were killed in houses, cemeteries and churches.
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Klass / The Class (2007) Ilmar Raag, Vallo Kirs, Pärt Uusberg, Lauri Pedaja

Klass (2007)
Kaspar and the class pushover Joosep are 16 and life in high school isn’t easy. Without meaning to, Kaspar defends Joosep against the bullying of his classmates, but every time Kaspar tries to him, it backfires, with the class taking it out on Joosep. Kaspar just wants his friends, his girl and his unassuming life back. Joosep wants to regain his dignity and the chance to switch to a high school far away. But their classmates are relentless, going further and further with each incident.
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Nóz w wodzie / The Knife in the Water (1962) Roman Polanski, Leon Niemczyk, Jolanta Umecka, Zygmunt Malanowicz

Noz W. Wodzie (1962)
Well off Andrzej and Krystyna’s marriage is at a stage where familiarity breeds contempt, that contempt which is outwardly shown only behind closed doors and only when an incident of some sort sets off one or the other. While driving through the countryside on a Sunday on their way to the lake to embark on an overnight sailing excursion, they almost run over a young male hitchhiker. Despite the antagonism between Andrzej and the hitchhiker, Andrzej offers him a ride as far as the marina. By the time they reach the lake, their antagonism has dissipated enough that Andrzej asks if he would like to join them on their sailing trip. The hitchhiker accepts despite knowing nothing about sailing. As the sailing trip progresses, the antagonism between the two men begins to increase again, fueled on both sides as each strives to be the alpha male. Andrzej needs to show his superiority, while the hitchhiker needs to show that his young age and inexperience, not only with sailing but with life in…
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