Drama

Sam and Felix are art thieves. Sam has just stolen a picture from a museum in Italy, but told Felix that it was lost in a boat accident. He wants copies made to sell while he will sell the original and get paid both ways. To find an artist, they pick the young, beautiful, naive Anna. When Anna has doubts, Sam strings her along and then marries her and go to Sicily on their honeymoon. Anna finds out that Sam is a thief and is very disappointed. Felix finds out that Sam has the original and is out to get it. The police are also waiting along with the buyer that Sam has for the painting.
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Stan (Belmondo) and Simon, two linked to the world of crime individuals decide to emigrate to the Caribbean to start a new life. But their plans fall apart when, in the course of a fight, a dangerous criminal named Simon Schneider kills and flees. Stan takes over Christian, the son of his friend, and vows to avenge his death.
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Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country’s history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
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In 1864 Cavalry Captain John Hayes reluctantly follows orders to become the civilian boss of the Overland Stage Line, which keeps the flow of Western gold to the Union and will help it win the Civil War. Headquarters for the stage line is a small Colorado town with Southern sympathizers who will do anything they can to sabotage his mission. Resistance to his efforts is led by former friend ad colleague Clay Putnam, who has taken advantage of Hayes’ absence and married his former sweetheart.
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Helen arrives on a tropical island with her husband, anthropologists studying the life of the local tribe. Faced with a nice native Heini and imbued with her ??feelings, Helen takes her to the city, where does his mistress. Husband soon accuses Helen of infidelity, but he begins to use in retaliation Heini as exotic bed-toys.
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Filming in the USA, Henri and Françoise meet and fall in love with each other.
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Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have dinner with friends–only to become stuck in a terrible traffic jam. Laure completely forgot about the mass transit strike that has thrown the city into chaos. But Laure feels good in her car, the only place she has for herself right now. As she takes in the sights and sounds around her–the blare of horns and arguments, the shimmer of lights and camaraderie–Laure notices a calm and self-assured stranger, Jean, approach her car. Soon thereafter, she opens her car door door to the man who–that night–will change her life.
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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
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The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character’s lives, is defined by the narrowness of the camera’s field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.
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The movie is based on the infamous “Stanford Prison Experiment” conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For two weeks 20 male participants are hired to play prisoners and guards. The ‘prisoners’ are locked up and have to follow seemingly mild rules, and the ‘guards’ are told simply to retain order without using physical violence. Everybody is free to quit at any time, thereby forfeiting payment. In the beginning the mood between both groups is insecure and rather emphatic. But soon quarrels arise and the wardens employ ever more drastic sanctions to confirm their authority.
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