Drama

Nico Palmieri is a police inspector who battles against hoodlums terrorising a sleepy Italian village, extorting cash from the locals. With the threat of violence, no one dares to act except a restaurant owner who approaches Palmieri and sings like a canary. As a result, his young daughter is raped. Discovering that the terrorism is related to drug dealers, Palmieri is forbidden to continue investigating his case by his superior – so he goes it alone. Palmieri recruits men who have become victims of the crooks and the film ends with a bloody massacre. Bullets fly and blood spatters the screen.
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Takashi and four of his classmates, fourth-grade students, cannot succeed in doing a back pullover around a horizontal bar. Their gym teacher warns them: they have one week to succeed; if they resign now, then, tomorrow, facing life difficulties, they will always run away and become bums. Furthermore, all five must succeed, if one of them cannot do it, then all of them fail. Takashi is really worried and wonders if he won’t be always the looser who couldn’t succeed in the back pullover bar exercise.
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Richard Field is a successful businessman who has become romantically involved with younger employee Diane Lovering, but he is unable to persuade his grasping wife to grant him a divorce out of his dysfunctional marriage. Diane meets dashing rancher Mike Bradley through his wise-cracking pal Johnnie on a South American ocean voyage, and they begin a shipboard romance that carries over to his Argentinian ranch. Diane decides to return to New York and tell Richard in person that she intends to marry Mike Bradley. When Diane gets there Richard surprises her with a wedding ring and the morning newspaper citing Mrs. Field is in Reno obtaining a divorce. Richard had to agree not only to a large monetary settlement but was forbidden to see his sons. Diane didn’t have the heart to tell Richard about Mike and decides to marry him. Diane writes a “Dear John letter” to Mike explaining a calculated mercenary decision that she prefers the position and financial status that Field’s can offer her …
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1577. The Mother Superior at the convent of Archangel is seriously ill. The determined and calculating Mother Giulia plots to become the next Mother Superior. She receives tough competition from tormented lesbian Sister Chiara and the lusty Sister Carmela.
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Henri Fortin is poor and iliterate former boxer. Ziman is rich Jewish lawyer from Paris. During WWII they meet when Fortin agrees to drive Ziman’s family to Switzerland. Intrigued by Victor Hugo’s novel “Les Miserables”, Fortin asks the Zimans to read that book to him during the travel. Before the end of movie every main character would see his character in situations similar to those in Hugo’s novel.
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A man in priestly robes, seemingly the long-awaited Father O’Shea, arrives at a little-frequented Catholic mission in 1947 China. Though the man seems curiously uncomfortable with his priestly duties, his tough tactics prove very successful in the Seven Villages, as around them China disintegrates in civil war and revolution. But he has a secret, and his friendship with mission nurse Anne (an attractive war widow) seems to be taking on an unpriestly tone…
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Betty Preisser, an attractive 24 year old divorcee, works as a secretary in the hard-boiled atmosphere of Manhattan’s garment district. Her workaholic boss Jerry (Frederick March) is feeling his own mortality. He’s overworked and lonely. He’s a 56 year old widower, but still enmeshed in his family obligations. His bossy older sister Evelyn has moved in with him and he has a married daughter Lillian and grandchild who live nearby.
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When someone tries to murder watchmaker Eddy Kay, the incident triggers a barrage of nightmares and flashbacks into a past that isn’t his own. Fearing for his sanity, Eddy contacts psychiatrist Dr. Anna Nolmar for help. Anna thinks he’s hallucinating until another attack proves the dangers are all too real. The two of them go on the run, trying to discover the truth about Eddie’s past and true identity before it kills them.
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Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma’s parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being “kidnapped” for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don’t seem to be very upset over her dilemma. She then returns to Malthe and a close bond soon develops between Emma and Malthe. Meanwhile, the police are finally called and begin their investigation. Emma writes a ransom note for $2000, and her father pays it.
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A drama with a supernatural edge, this genre-crossing gem finds two couples visiting a home from their past, and sexual tension that brings out the worst in each other. Long-buried grudges resurface and it seems unlikely the couples will return intact. Faced with an outcome that will upset their delicate balance of happiness, the world offers them a bizarre opportunity to correct it.
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