Drama

As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can’t get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives – Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger – on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake’s office for the first time, he learns that it isn’t just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment.
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In one of TEL-AVIV’s oldest neighborhoods, a senior antique furniture restorer is struggling to keep his workshop alive, confronting his own son who is trying to close down shop and aided by his young and bizarre apprentice who wishes to succeed him.
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After the death of her mother, Anne makes a shocking discovery: an old photograph casts doubt on her origins and leads her to discover a mysterious uncle who lived with her parents after the war. As she lifts the lid on a long forgotten family secret, the young woman learns that her mother once succumbed to an amorous passion that was as intense as it was short-lived…
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A sort of tragicomedy/adventure film, “Robin and Marian” picks up the Robin Hood legend some twenty years after most versions of the story, with Robin and his sidekick Little John returning to their old Sherwood haunts world-weary from the Crusades and their sickening brutality. They’re informed by former cohorts Friar Tuck and Will Scarlett that Maid Marian now lives at the nearby priory, where she has become an abbess. Marian greets Robin’s return with mixed feelings, but after he rescues her from his longtime enemy, the Sheriff of Nottingham, who tries to arrest her on religious grounds, the two become lovers once again.
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Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50’s Hollywood and its corrosive effect upon the artist.
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Based on the short story “Mr. Morgan” from “Return To Paradise” (James Michener’s sequel to “Tales of the South Pacific”). Morgan (Gary Cooper), a drifter and soldier-of-fortune washes up on a Pacific island that is a small dictatorial state under the puritanic rule of Pastor Corbett (Barry Jones), a missionary. They conflict but Morgan stays on and carves out a cozy life. He has a child out of wedlock with island native Maeva (Roberta Haynes), but departs the island after her death, leaving the young daughter behind. He returns years later in search of his daughter. It is circa the early years of WW II, and he finds that his daughter has fallen in love with an American pilot who has crash-landed on the island. It appears that the pilot will do for the girl what Morgan did for her mother, and then depart.
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Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.
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This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.
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Temple Drake is a Southern belle who leads men on with her sexuality but usually leaves them wanting. She’s loved by lawyer Stephen Benbow, whom she likes but doesn’t love. While out carousing with one of her beaux, she finds herself stranded with a gang of bootleggers, one of whom, Trigger, rapes her and makes her his sex slave. When another man is accused of a murder Trigger committed, Stephen defends him and sets out to find Trigger. But he isn’t prepared for whom he finds with Trigger, or what she’s become.
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At 42, David lives the life of an irresponsible adolescent. He coasts through life with minimal effort and maintains a complicated relationship with Valerie, a young policewoman. Just as she tells him she’s pregnant, David’s past resurfaces. Twenty years earlier, he began providing sperm to a fertility clinic in exchange for money. He discovers he’s the father of 533 children, 142 of whom have filed a class action lawsuit to determine the identity of their biological father, known only by the pseudonym Starbuck.
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