Drama

Flamarion, expert marksman, is entertaining people in a show which features Connie, beautiful woman and her husband Al. Flamarion and Connie fall in love and decide to get rid of the alcoholic husband.
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For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other English-speaking guests are brash Americans. Then Major Wilshaw arrives. He suggests they meet for cocktails and Miss Bentley stands him up – not even thinking about it – as she helps the new nanny of an Italian family settle in. Miss Beaumont, a tall, young American who has dropped out of finishing school in Switzerland, is bored and finds some amusement in flirting with the major, whose libido is awakened for the first time since before the great war. And Miss Bentley now finds more about the major to admire than his ears.
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The story of a mistreated donkey and the people around him. A study on saintliness and a sister piece to Bresson’s Mouchette.
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When a high-school girl complains of her inability to reach sexual climax, her doctor suggests that she keep a diary of her sexual encounters. She does just that and soon finds herself caught up in a sexual merry-go-round that includes making a hardcore porno film in Sweden, an escapade with a German sadist and a lesbian encounter.
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Story about a tempestuous love affair taking place on a Greek island between a diver and two women, one of them married and the other just out of prison.
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A girl who has been abused by her stepfather has moved in with her sister. But here she is further abused by her sister’s boyfriend. In the end, the has prepared a revenge on the men who abused her.
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Charles Chauvel came to the forefront of Australian cinema after The Moth of Moonbi (1926), and followed up with Greenhide, his final silent film. It was on the set of Greenhide that Chauvel met his wife Elsie, who had the starring role. The story follows a girl who moves from a life of leisure in the city to rural Queensland, where she romanticises her way into the arms of the rough farm manager, ‘Greenhide Gavin’. A cattle-thieving plot also unfolds.
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A tale of an occidental merchant, Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice.
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A naively honorable samurai (played by Raizo) comes to the bitter realization that his devotion to moral samurai principles makes him an oddity among his peers, and a very vulnerable oddity in consequence. He takes the blame for the misdeeds of others, with the understanding that he will be exiled for one year and restored to the clan’s good graces after the political situation dies down. As betrayal begins to heap upon betrayal, he realizes he’ll have to live out his life as a master-less ronin, if not hunted down and killed.
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Not by any means a great film, The Devil Thumbs a Ride nonetheless has an indefinable audience allure that sucks the viewer into its labyrinthine storyline and doesn’t let go until the fade-out. Lawrence Tierney plays Steve Morgan, a charming but utterly sociopathic criminal who has just robbed and killed a movie theater cashier. Morgan hitches a ride with inebriated conventioneer Jimmy Furguson (Ted North). Later on, Furguson picks up two more hitchhikers: virginal Beulah Zorn (Nan Leslie) and good-time girl Agnes Smith (Betty Lawford). When circumstances lead Jimmy to believe that Steve is the fugitive whom the cops are looking for, Morgan sweet-talks his way into everyone’s confidence. Before he knows what’s happening, Jimmy is holed up in a beach house while Steve parties with Beulah and Agnes. Not even the most fervent of film noir fans will be able to predict the outcome of this one. Long ignored by movie buffs, The Devil Thumbs a Ride gained a large following through repeated TV showings in the 1960s and ’70s. It is now considered so representative of its genre that one film historian used the film’s title for a collection of his essays on B-melodramas.
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