Drama

Two Americans in England–a wealthy playboy and an actress–join forces to stop international spies.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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Roxanna (Misty Mundae) knows who she wants, what she craves, and how to get them, and nothing or no one is going to stop her. She spends her night and days experimenting with her sweet young body – satisfying a hot erotic appetite with an endless parade of female loves. But Roxanna’s obsession with exquisite pleasure of the flesh begins to take over her life, and soon lesbian desires surge beyond her control! Naughty fantasies become mouth watering reality, and Roxanna loses herself completely to this world of delectable sin. With the final realization that she has taken things too far, further than her mind and body can handle, Roxanna must come to terms with her insatiable libido or face the devastating consequences.
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During the worst recorded rainstorm in the history of the Midwestern United States, armored truck drivers Tom (Christian Slater) and his uncle Charlie (Edward Asner) are collecting the money from the local banks affected by the rising flood waters. In the small town of Huntingburg, Indiana, which has been evacuated, Tom and Charlie drive into a ditch and become stuck, and Charlie calls dispatch to alert the National Guard. They are then ambushed by Jim (Morgan Freeman) and his gang of armed robbers, Kenny (Michael Goorjian), Mr Mehlor (Dann Florek) and Ray (Ricky Harris). Kenny accidentally shoots Charlie dead, as Tom gets away with the $3 million in cash and hides it in a cemetery…
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Continuing his penchant for directing films in the characteristically Japanese genre he virtually created, director Takashi Ishii here presents yet another stylish rape/thriller. Nami is an attractive woman, and she loves her husband, who runs the real estate agency she works at. One day, during a rainstorm, a mysterious drifter stumbles into her and, following her on her way back to the office, asks for (and gets) a job from her husband, over her protests. Not long after that, Nami and the newcomer are trading amorous glances. When the drifter gets her alone in a model house, he rapes her on the floor. For some reason, this doesn’t offend Nami, and she encourages the socially backward man to take her to bed often. Eventually, the two of them decide to do away with her husband, despite the fact that Nami still loves him.
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An auditor comes into possession of an envelope containing prints and drawings which the British government is anxious to obtain and also a great many other people, all of whom try to get them from him by any means. He escapes many of the traps set for him by the villains, but is finally captured and is tied to an operating table where the gang leader is set to do some scalpel work on him.
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John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters’ daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
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Bernhard Wicki’s astonishing The Bridge was the first major antiwar film to come out of Germany after World War II, as well as the nation’s first postwar film to be widely shown internationally, even securing an Oscar nomination. Set near the end of the conflict, it follows a group of teenage boys in a small town as they contend with everyday matters like school, girls, and parents, before enlisting as soldiers and being forced to defend their home turf in a confused, terrifying battle. This expressively shot, emotionally bruising drama dared to humanize young German soldiers at a historically tender moment, and proved influential for the coming generation of New German Cinema auteurs.
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SISANJE is a story of a young Belgrade high school math champ Novica who gets seduced into the world of skinheads by their charismatic leader Relja. Novica joins the gang of racist skinheads in an attempt to overcome the geek status in school but soon enough he is sucked into the world of racism, violence and hooliganism, the skinhead movement takes him over and eventually he starts climbing up the ladder in the skinhead hierarchy.
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