Drama

When Maggy Fuller (Aley Underwood) receives an anonymous letter full of praise and encouragement, she can?t imagine who would say such wonderful things to her. After all, the rebellious teenager is practically invisible to her dad and a disappointment to her mom. Her search for the mysterious letter?s author leads her Sam Worthington (Bernie Diamond), an aging man who tries to change the world using a pen name, a phone book, and one handwritten note at a time. Maggy?s unlikely new friend seems to know her better than anyone and inspires her to become a letter writer, too, but a tragedy tests her faith, forcing her to continue her search for her own purpose in life.
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The Hamiltons deal with the sudden death of their parents, then seem to move on. David, the oldest, tries his best to take charge of the family. Twins Wendell and Darlene become more conniving and dark. Francis, the youngest and most sensitive of the group, finds an old video camera that reveals – beneath the veil of normalcy – something is very wrong with the family.
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Locked doors, and the monster inside us. In L.A., tightly-wound Julian Wright is separated. He meets Michael, she’s seductive and uninhibited; by chance, a few days later they connect. The PR firm where he’s creative director is competing to be bought by a household name (think Proctor & Gamble); winning will bring money, status, and a big ad budget. His firm’s win depends on both his ideas and his maintaining traditional values; so, he puts his divorce on hold. His family adds problems: childhood memories and his sister’s abusive husband threaten his balance. His fuse is short. Will self control hold obsession and fury in check, or is Michael the spark that will start a conflagration?
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This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story.
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China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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Jessie McMullen (Sean Connery) is a widower, a tough guy and most of all, proud of his past as a career criminal (now semi-retired). He raised his son Vito (Dustin Hoffman) to follow in his footsteps, but Vito went straight once he had a son of his own, Adam (Matthew Broderick). Over the years, Vito became ashamed of his family’s criminal past. He has tried to raise his son right, which in his mind means keeping young Adam away from his deadbeat grandfather. Little does Vito know that this strategy has backfired; the mystery surrounding Jessie has caused Adam to idolize him.
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After yet another failed relationship, Mrs. Flax (Cher) ups her family to the east coast to start all over again. Reluctantly dragged along with her is her daughter Charlotte – going through a very confusing time of her life – who wants to become a nun, and instead falls in love with a quiet, mild-mannered church employee, to the mixed response of her mother. Set at around the time of the Kennedy Assassination.
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Two Americans in England–a wealthy playboy and an actress–join forces to stop international spies.
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Rinku is a suicide-prevention counselor, living with her husband Shigehiko. He’s older than she, scrubbing things constantly, sexually indifferent. They sleep apart. During Tokyo’s rainy season, Iguchi, a photographer Rinku has counseled by phone, sends her pictures he has taken through her skylight: she’s wearing a short skirt, masturbating. He offers her the negatives if she’ll follow his instructions. She’s humiliated and agrees. He tells her he’s only giving her license to express her inner desires. He sends her into the night to walk on the wild side. Then, she asks a favor of him, and soon her husband receives phone calls and photographs. Where will this triangle lead?
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Saya (Yui Aragaki) is a young widow mother. Her husband Yutaro (Yo Oizumi) died in an accident. Yutaro abandoned his wealthy family to marry Saya. To protect her baby, she goes to the town of Sasara where her aunt lived. Her aunt passed her house down to Saya. Saya and her baby settles down there, but she has difficulties dealing with her situation. At this time, her dead husband Yutaro borrows other people’s bodies to help Saya, but Yutaro’s family tries to take her baby away.
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