Drama

Lazy girl Satomi is assigned a stint, against her wishes, to her school’s Robot Club. However, it’s not the premiere club that she got assigned to, but the “B” team where the team members are hardly cooperative, made up of a motley bunch of losers.
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A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip (Simon Yam) Read More »

Leila and Reza meet in a kind of celebration and fall for each other. Having discovered their love, they get married soon only to find out the infertility of Leila. That’s when Reza’s authoritative mother starts wheedling Leila to persuade Reza into second marriage for the sake of having a grandchild. Leila accepts at first but is unaware of her own strain threshold.
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Der Herrscher (The Sovereign) was based on Before Sunset, a play by Gerhart Hauptmann. The great Emil Jannings stars as Mathias Clausen, a self-made businessman who is forced to do a great deal of soul-searching when his wife unexpectedly dies. Determining to start life anew, he falls in love with his secretary Inken (Marianne Hoppe) and impulsively takes a vacation to Italy. Clausen’s selfish grown children, not wishing to share their father’s affections – nor his money – with his new wife-to-be, go to court demanding that Clausen be declared mentally incompetent. Upon finding this out, Clausen flies into a rage, leaving the audience to wonder whether or not he really as gone off his trolley.
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A rebellious student wants to get total independence and overcome all the barriers in his life: of money, age, status, cults and conventions. However, he meets a girl with completely different ideals.
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Emilie has been hired to care for the four sons of wealthy Adam Stoddard and his wife, Molly. After Molly dies, Adam and the boys grow to depend on Emilie even more. At the same time, Emilie falls in love with Adam. The boys grow up, but Adam insists that Emilie stay on as part of the family. Her relationships with both the boys and Adam become strained after one son marries a gold-digging viper named Hester.
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In Michael Cimino’s bleak anti-western based on events in 1890s Wyoming, Sheriff James Averill attempts to protect immigrant farmers from wealthy cattle interests, and also clashes with a hired gun, Nathan Champion, over the woman they both love. Both men find themselves questioning their roles in the furious conflict between wealthy landowners and European immigrants attempting to build new lives on the American frontier, which culminates in a brutal pitched battle.
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A man seeks revenge but will he destroy himself in the process? After a long jail term for a crime he did not commit, a man is torn between revenge (which will probably destroy him) or making a new life for himself.
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It’s 1933, and eight young women are friends and members of the upper- class group at a private girl’s school, about to graduate and start their own lives. The film documents the years between their graduation and the beginning of the World War in Europe, and shows, in a serialized style, their romances and marriages, their searches for careers or meaning in their lives, their highs and their lows.
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Marco Bellocchio’s My Mother’s Smile was deemed blasphemous by the Roman Catholic Church for what the Church referred to as Bellocchio’s “systematic destruction of family and religious values.” Contrary to the Church’s presumptions about Bellocchio, My Mother’s Smile is a fascinating portrait of a man (Sergio Castellitto as Ernesto) who is forced to reconcile with his own atheism after receiving a shocking appeal from the Church requesting his participation in the canonization of his “saintly” mother.
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