Drama

Two Weeks in September / À coeur joie (1967) Serge Bourguignon, Brigitte Bardot, Laurent Terzieff, Jean Rochefort, Drama, Romance

two-weeks-in-september-1967
Cecile is a young and beautiful Frenchwoman married to a much older Englishman. She loves her husband and seems to be content with her life, until she meets a younger man and feels forgotten passions stirring within her. She now finds herself confronted with a choice: to stay with the steady and peaceful love of her husband, or to run off for excitement and adventure with a new love?
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Strangers When We Meet (1960) Richard Quine, Kirk Douglas, Kim Novak, Ernie Kovacs, Drama, Romance

strangers-when-we-meet-1960
The awarded architect Larry Coe lives a boring marriage with his wife Eve Coe and their two young sons in the suburb. Larry is designing and constructing an unique house to the successful writer Roger Altar (Ernie Kovacs) on the top of a hill. Margaret ‘Maggie’ Gault is a sexy blond sexually neglected by her husband Ken Gault that lives in the same neighborhood and they have a young son.
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The Bad and the Beautiful (1952) Vincente Minnelli, Lana Turner, Kirk Douglas, Walter Pidgeon, Drama, Romance

the-bad-and-the-beautiful-1952
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone – including the writer, star and director – on the way to becoming one of Hollywood’s top movie makers.
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Uncut Family (2004) Costas Zapas, Maria Dima, Alex Kelly, Dimitris Yiannakopoulos, Drama

uncut-family-2004
“Uncut Family” focus upon a three member family that is presented in its most sensitive and raw form, right at the point where its apparent stability collapses. On the pretext of uncovering the relationship the young boy has with his mother and father, Zapas dares in the five chapters of his movie (The Son, The Father, The Mother, The Father and Son, The Holy Family) to draw attention to an endo-family sexuality which stands outside normal societal taboos, mapping a transcendental intra-family universe, painting with a regardless realism the cosmology of a contemporary world less remote than we imagine and closer than we could tolerate.
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