Drama

Swedish-American farmer’s daughter Katrin ‘Katie’ Holstrom leaves the farm to study nursing in the big, wicked city. Thanks to a chiseling acquaintance, her tuition and expense money disappears the first day, and she’s forced to get a job…as a domestic for congressman Glenn Morley. Impressed by her political awareness as well as her many charms and capabilities, Glenn is soon infatuated with Katie, and she with him, but their feelings remain unspoken…until Katie speaks up at a party rally and is abruptly thrust into politics herself.
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A la fin d’un week-end, Louis Riquier, père divorcé refuse de rendre ses enfants à leur mère. Armé, barricadé dans sa maison, il tient tête à un escadron de gendarmerie. Les médias s’emparent de l’affaire, la tension monte et la situation s’envenime. Riquier menace de tuer ses enfants…
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A rich but lonely woman, Frances Austen, one day invites a boy from a nearby park to her apartment and offers to let him live there.
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The six friends of suicide victim Miguel gather to clear out his things, guess his motives and celebrate his life. Uneasy and sultry atmosphere in this psychological drama whose soundtrack surrealistically erases the boundaries between past and present.
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Sidney Lumet directed this film version of Peter Shaffer’s dramatic play, transforming theatrical symbolism into cinematic realism. Richard Burton received an Academy Award nomination for Best Actor for his performance as Martin Dysert, a psychiatrist determined to unravel the disturbed mind of Alan Strang (Peter Firth), a young stableboy. In a fit of rage, Strang has blinded a stable of six horses. The court then assigns Dysert to probe the young man’s mind in order to understand why he committed such a violent act. But the doctor, who is battling demons of his own, wonders if he can save the boy–and whether saving him at all is the right thing to do. Joan Plowright stands out as Dora Strang, the young boy’s mother.
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An ex-con takes a job driving a truck cross country. What he doesn’t know is that the truck is filled with illegal weapons and now he must fight to survive and save his family.
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Once a mild-mannered liberal, New York City architect Paul Kersey (Charles Bronson) snaps when intruders break into his home, murdering his wife (Hope Lange) and violently raping his daughter. A business trip to Tucson, Ariz., lands him a gift from a client, a revolver he uses to patrol the streets when he returns home. Frustrated that the police cannot find the intruders, he become a vigilante, gunning down any criminal that crosses his path. The public finds this vigilantism heroic.
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A rookie firefighter tries to earn the respect of his older brother and other firefighters while taking part in an investigation of a string of arson/murders. This detailed look into the duties and private lives of firemen naturally features widespread pyrotechnics and special effects.
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In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself.
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Contrary to her husband, Hélène devotes herself to help an French-Algerian prostitute, Malika, who seeks to escape from her abusers. As the film begins, Paul and Hélène, a wealthy Parisian couple, are preparing to go out for the evening. While driving, they see three men chasing a prostitute down the street. She begs them to save her by letting her into the car, but Paul locks the doors and drives away as the three men beat her, leaving her unconscious in the street. He refuses to let Hélène phone an ambulance, afraid of being charged with not helping a person in danger (which is a crime in France). Hélène cannot forget the incident, and the next day she goes to the hospital, where she finds the prostitute, Noémie, in a coma. Moved, Hélène stops work and leaves her family responsibilities to stay with Noémie throughout her recovery, aiding her as she regains mobility and helping her to communicate since she can’t yet speak. When one of the pimps returns to threaten Noémie, Hélène follows him out of the hospital, knocks him unconscious, and leaves him for the police to find.
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