Drama

Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure. Both find positions in the office of a large bank, where bored, under-stimulated, prey are easy pickings. After making their way though several layers of executives at the bank, with destructive, and lucrative, results, they approach Christophe, scion to the bank director. What they don’t know is that Christophe is a manipulative voyeur, whose last two lovers set themselves on fire when he rejected them. A connoisseur of high-class orgies, Christophe is only interested in new talent to satisfy the appetites of all whom he controls. In Christophe, the girls have found an opponent who knows all their wiles, and will challenge their simple under-class friendship with levels of jealousy and ecstasy that they have never experienced before. Will they survive?
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François is a film-maker, usually impassive and without affect. He’s making a film about women’s pleasure as they transgress taboos. He doesn’t know that two fallen angels who’ve been sent to upend him are manipulating his interest. He interviews young women, video tapes screen tests, and selects several for the film. The erotic scenes with them generate off-screen dynamics that may overwhelm the project. His wife is at first ignorant of his venture, then she’s put off, and then becomes his assistant. The fallen angels are always close at hand: is François’s ruin inevitable?
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Promoter Frankie Christopher, being grilled by police in the murder of model Vicky Lynn, recalls in flashback: First meeting her as a waitress, Frankie decides to parlay her beauty into social acceptance and a lucrative career. He succeeds only too well: she’s on the eve of deserting him for Hollywood…when someone kills her. Now Frankie gets the feeling that Inspector Ed Cornell is determined to pin the killing on him and only him. He’s right. And the only one he can turn to for help is Jill, the victim’s sister, who’s been cool toward him…
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Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.
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A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have been conscripted. The army sends reservists, mostly married middle-aged men – and the local beauty Andula, spurns those bold enough to try to win her, for the jazz pianist, newly come from Prague to perform. He seduces her and impresses her, telling her “most women are round, like guitars but you are a guitar by Picasso”. Staying the night with him causes a lecture on a young woman’s honour at her hostel so she throws over her other suitors and makes her way to Prague to find the young man. His protective Mamma and weary Pappa are not pleased when she arrives on the doorstep with her suitcase.
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Woman has to choose between being a prostitute or posing nude for a painter, in order to finance an expensive surgery for her son, his only chance to survive.
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Carlos and Solange, childhood sweethearts, marry after a chaste courtship. On their wedding night, Solange refuses to make love to him. First he pleads, then in anger he rapes her. She says she adores him, but, even after months of marriage, can’t endure his touch. To prove to herself she’s not frigid, she begins a daily routine of seducing strangers on public busses; she also takes Carlos’s best friend to a motel. Carlos figures out that she’s unfaithful and, armed, confronts Solange. Meanwhile, she seeks psychiatric help because she feels no remorse. Will there be violence and death, a psychological breakthrough, or more bus rides?
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Unfolding in a series of eight mythic vignettes, this late work by Akira Kurosawa was inspired by the beloved director’s own nighttime visions, along with stories from Japanese folklore. In a visually sumptuous journey through the master’s imagination, tales of childlike wonder give way to apocalyptic apparitions: a young boy stumbles on a fox wedding in a forest; a soldier confronts the ghosts of the war dead; a power plant meltdown smothers a seaside landscape in radioactive fumes. Interspersed with reflections on the redemptive power of creation, including a richly textured tribute to Vincent van Gogh (who is played by Martin Scorsese), Akira Kurosawa’s Dreams is both a showcase for its maker’s artistry at its most unbridled and a deeply personal lament for a world at the mercy of human ignorance.
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The Joy of Torture is an anthology that is made up three separate stories that all intersect: The first segment is about Shinza who was hurt while working when a log hit him on the head and now sister Mitsu is forced give herself to her brothers boss Mr. Mino in order to help pay for Shinza’s doctors bills. The second segment is about the arrival of mother Reiho and her servant Rintoku at the Jukuin monastery. The monastery is located new to e temple inhabited by priest and one day when one of them named Shunkei runs by Reiho he arouses something inside of her. The final segment is about a tattoo artist named Horicho who has just given Kimicho his greatest tattoo to date. While showing his work off to a group of people, a man named Lord Nambera walks by mocking the tattoo and it lack of realism.
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Lazarus is kidnapped in a two by three meter room completely isolated from the outside world. Forced to reveal intimate information of his family he falls into despair and abandons himself to death. Then, a seemingly meaningless event makes him realize that his heart and his mind are not kidnapped and will never be. Lazarus forces himself into a disciplinary routine that helps him endure his unbearable situation, letting his imagination, memories, introspection and faith push him through each day overcoming the constant threat of torture and death. Based on true events, Richness of Internal Space is a testimony of a man’s will to live and his unbreakable spirit.
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