Jamás leí a Onetti (I have never read Onetti) is a documentary-homage to this great Uruguayan writer, which is enacted with testimonies, words, drawings and music, all part of the Onettian legacy. With the link between different kinds of writing as a starting point, the movie also asks about the means and the ends of all creative process.
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Documentary
The Girls of Surrender Cinema (1997) Cybil Richards, Jacqueline Lovell, Sindee Coxx, Venesa Talor, Documentary, Erotic
This is a highlight package of Surrender Cinema’s best girl-on-girl scenes. The gorgeous Jacqueline Lovell goes on an erotic excursion into the very private lives of her closest friends in this sex film. It includes probably the hottest non-hardcore lesbian scene you’ll ever see between Jacqueline Lovell (aka Sara St James) and Vanessa Taylor.
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Blood on the Reel (2015) Johnny Daggers, Bianca Allaine, Jessica Sonneborn, Nick Somers, Documentary, Horror
A documentary which focuses on Indie Horror Filmmakers from around the world and the perils we’re put through to bring your our films.
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Eurocrime! The Italian Cop and Gangster Films That Ruled the ’70s (2012) Mike Malloy, Franco Nero, John Saxon, Henry Silva, Documentary, Action, Crime
A documentary concerning the violent Italian ‘poliziotteschi’ cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
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Helicopter String Quartet (1996) Frank Scheffer, Karlheinz Stockhausen, Documentary, Music
This is not a joke. Karlheinz Stockhausen dreamt of it and he did it. He wrote a score for a string quartet whose musicians (in this instance the Arditti Quartet) would each play in a helicopter, while their music would be mixed on the ground by Stockhausen and broadcasted in the concert hall. The helicopter rotors are naturally present.
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Presque rien avec Luc Ferrari (2005) Jacqueline Caux, Olivier Pascal, Documentary
Documenting the work of one of the most groundbreaking and seductive composers of the Twentieth Century, this film also shows Luc Ferrari’s “extremely libertarian personality: his spontaneity, his inclination towards hedonism and sensuality, his curious and open character, his rejection of all kind of power and of all stable position within institutions, his pronounced taste for jeux, his sense of self-derision and his ferocious refusal of all dogmatism”.
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A State of Mind (2004) Daniel Gordon, Hyon Sun Pak, Song Yun Kim, Documentary
State of Mind is an eye-opener: In documenting the daily grind of 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun as they prepare for the yearly Games, Gordon reveals what it’s like to live in North Korea today.
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American Movie (1999) Chris Smith, Mark Borchardt, Mike Schank, Tom Schimmels, Documentary, Comedy
On the northwest side of Milwaukee, Mark Borchardt dreams the American dream: for him, it’s making movies. Using relatives, local theater talent, slacker friends, his Mastercard, and $3,000 from his Uncle Bill, Mark strives over three years to finish “Covan,” a short horror film.
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This Is Cinerama (1952) Merian C. Cooper, Gunther von Fritsch, Lowell Thomas, Kathy Darlyn, Documentary
A standard screen B&W prologue during which Lowell Thomas shows how, from the dawn of history, mankind has attempted to create the illusion of depth & movement by artistic, mechanical and photographic means.
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Telo bez duse / Body Without Soul (1996) Wiktor Grodecki, Documentary
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
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