Crime

Meek head clerk Kees Popinga realises at the same time as the police that owner De Koster has stripped his Dutch company clean because of his infatuation with a Parisian girl, Michelle. After a confrontation between the two men, De Koster ends up dead and Popinga makes off to Paris with the remaining money. There he contacts Michelle, with the police in close pursuit.
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Apparently rejected by women all his life, a loner with a high-power rifle starts on a trail of murder. The police are baffled by the apparently random killings until their psychologist comes up with some ideas.
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As a soccer match is in progress, a group of four criminals robs the stadium office. Before they can make their getaway, a chase begins, and they must split up before they can divide the money. The police have little to go on, since it appears that none of the robbers were experienced criminals. Meanwhile, the thieves have to arrange for dividing the money while trying to avoid being captured.
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In Monte Carlo, Theo Wilkins recruits his young protégé Paul Mason – just released from prison – to help him rob the famous casino of $4 million. The plan is straightforward. On the night of the Governor’s Ball, Theo will create a distraction in the casino by having one of the team collapse requiring urgent medical attention. During that time Paul and another member of the crew will get the money from the vault. When the ambulance arrives, the money will leave with the sick man. The plan is a good one but not everyone will survive the robbery and no one will get rich from it.
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Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He’s laconic, a Korean War vet, and a gambler. When we meet him, he’s making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren’t so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer’s mother, and the club’s singer, Mr. Sophistication.
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This epic depiction of thirty years of Chicano gang life in Los Angeles focuses on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J.D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.
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New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can’t be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring raid with a flame-thrower is too good to miss. His investigations soon get pretty complicated and rather too dangerous. At least along the way he does get to meet Alexis.
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Sam and Felix are art thieves. Sam has just stolen a picture from a museum in Italy, but told Felix that it was lost in a boat accident. He wants copies made to sell while he will sell the original and get paid both ways. To find an artist, they pick the young, beautiful, naive Anna. When Anna has doubts, Sam strings her along and then marries her and go to Sicily on their honeymoon. Anna finds out that Sam is a thief and is very disappointed. Felix finds out that Sam has the original and is out to get it. The police are also waiting along with the buyer that Sam has for the painting.
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Stan (Belmondo) and Simon, two linked to the world of crime individuals decide to emigrate to the Caribbean to start a new life. But their plans fall apart when, in the course of a fight, a dangerous criminal named Simon Schneider kills and flees. Stan takes over Christian, the son of his friend, and vows to avenge his death.
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Beautiful, young Irne St. Claire enlists Holmes’ and Watson’s help for her father, a former veteran of the Great Indian Mutiny, who has become a hopeless opium addict. His drug dependence is a direct result of guilt and fear arising from a blood pact of secrecy made during the siege of Agra in 1857 in which he was party to the theft of a maharajah’s treasure, murder, and betrayal. When an avaricious co-conspirator dies under mysterious circumstances, St. Clair is certain that the curse will strike him next.
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