Crime

Alice is brought back to her family after she is rescued from the men that kidnap her, but her nightmare is far from over since she continues to have constant flashbacks of her ordeal. She resents her parents because she believes they wouldn’t pay for her ransom, since that is what she heard her captors say through a wall when she was kidnapped. Coming back to normal life is not easy for her because she has to deal with her parents, her boyfriend, and mix feelings she had for one of the captors that she had sex with in order to survive.
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The rise of John Dillinger from petty criminal (including, unforgivably, holding up a cinema) via prison and bank robbery with his new convict associates to the accolade of Public Enemy Number One.
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Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.
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Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary’s affections. Kenny’s friend Gitlo, a bartender in Lentz’ club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder.
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The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The “Murder” of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife’s unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ‘ Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
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18-year old Willi is living on the street – there are no goals in his life. There, he meets several people, helping but also cheating him. When he finally meets Monica, he realizes that there are people out there whose lives are even more desperate than his. So he’s trying to help her (and him) by planning a great robbery on a supermarket’s money transporter.
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Rip Murdock and Johnny Darke are en route to Washington when Johnny disappears and then turns up dead. Rip learns that Johnny had been accused of murder and sets out to find out what he can. He falls in love with Coral whose husband Johnny is supposed to have killed.
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Prominent lawyer shoots unfaithful girlfriend during quarrel, has to establish alibi.
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After a young woman suffers a brutal rape in a bar one night, a prosecutor assists in bringing the perpetrators to justice, including the ones who encouraged and cheered on the attack.
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The moment he’s released from prison, the honorable gangster Miyamoto recovers the stolen diamonds he had stashed before getting pinched. When he returns to his haunt to make good by friend who took a bullet for him, he is diverted by the greedy boss Oyane and his insatiable taste for Miyamoto’s precious stones. Replete with film noir style, “Underworld Beauty” is one of Suzuki’s best nods to the American gangster genre.
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