Crime

A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. Read More »

Every year, four ex-soldiers who call themselves “Os Imortais” (“The Immortals”), get together with four women to celebrate their war deeds and remember the old days, back in the war. On the summer of 1985, tired of their monotonous lives, they decide to rob a bank. Joaquim Malarranha, a chief inspector from the local police force who is about to retire, crosses their path and chooses to spend his last days of duty trying to solve the robbery. But as he carries on with his investigation, he discovers more than he could have ever imagined…
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A low-ranking cop often relegated to desk duty, middle-aged Tsim Kin Yip (Simon Yam) Read More »

Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town’s women pop up dead.
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On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy’s consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.
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Rafael is the best salesman in the biggest department store of Madrid. He is a fascinating man; all his colleagues fell in love with him. He tries to live a high-standard life. He is definitely ambitious and aspires to be the new head of sales on his floor. But he has to beat Don Antonio: the best salesman in the man wearing sector. Competition gets harder and harder, until Rafael kills Don Antonio! Lourdes, the ugliest woman in the store, unexpectedly helps Rafael to hide the corpse, but her help isn’t for free. Rafael will soon start considering a new crime. A new perfect crime.
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Not by any means a great film, The Devil Thumbs a Ride nonetheless has an indefinable audience allure that sucks the viewer into its labyrinthine storyline and doesn’t let go until the fade-out. Lawrence Tierney plays Steve Morgan, a charming but utterly sociopathic criminal who has just robbed and killed a movie theater cashier. Morgan hitches a ride with inebriated conventioneer Jimmy Furguson (Ted North). Later on, Furguson picks up two more hitchhikers: virginal Beulah Zorn (Nan Leslie) and good-time girl Agnes Smith (Betty Lawford). When circumstances lead Jimmy to believe that Steve is the fugitive whom the cops are looking for, Morgan sweet-talks his way into everyone’s confidence. Before he knows what’s happening, Jimmy is holed up in a beach house while Steve parties with Beulah and Agnes. Not even the most fervent of film noir fans will be able to predict the outcome of this one. Long ignored by movie buffs, The Devil Thumbs a Ride gained a large following through repeated TV showings in the 1960s and ’70s. It is now considered so representative of its genre that one film historian used the film’s title for a collection of his essays on B-melodramas.
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The pediatrician Alexandre Beck misses his beloved wife Margot Beck, who was brutally murdered eight years ago when he was the prime suspect. When two bodies are found near where the corpse of Margot was dumped, the police reopen the case and Alex becomes suspect again. The mystery increases when Alex receives an e-mail showing Margot older and alive.
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An undercover agent is sent to investigate dope smuggling on a sun-drenched Mediterranean island. When both of his principal subjects die in mysterious reasons, he soon finds that he is also involved in a murder investigation.
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An artist married to a wealthy but ill woman begins an affair with one of his models, who is after him solely for his money. His wife discovers the affair and threatens to cut him out of her will. In order to be able to keep both the wife’s money and his girlfriend, he begins to secretly poison his wife – but events take a surprising turn after she eventually dies.
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