
A young girl is raped while coming home from work. The trauma of the attack turns her away from her parents and her fiancé, and, unable to face society, she runs away and, using an assumed name, takes a job on an orange ranch. A young clergyman takes an interest in her, although she won’t confide in him. When a ranch hand tries to kiss her, she relives her terrifying experience and nearly kills him. She is arrested but when her identity is established and the facts of her case are brought forth, the clergyman convinces the court that it is society that should shoulder the blame. He helps rebuild her faith and send her back to her parents and fiancé.
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Crime
Bakuto Kaisan-shiki / Gambler’s Farewell (1968) Kinji Fukasaku, Kôji Tsuruta, Fumio Watanabe, Tetsurô Tanba, Action, Crime

The story of men devoted to the yakuza lifestyle and their struggles during a time of fading yakuza power.
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Dead Pigeon on Beethoven Street (1973) Samuel Fuller, Glenn Corbett, Christa Lang, Sieghardt Rupp, Crime, Thriller

Following Shark!, Sam Fuller’s luck getting films funded didn’t change much; Dead Pigeon on Beethoven Street is Fuller’s only film of the ’70s. Technically, it’s not even a proper film, but if you didn’t know it was made as an episode of the German cop series Tatort (which is amazingly still running), you’d never have guessed it. Where American television stifled Fuller’s creative spirit and made him conform to the norms of whatever show he was working on, the producers of Tatort allowed Fuller the freedom to make whatever he wanted. He took this freedom and ran with it, crafting a unique, exciting picture unlike anything else in the Fuller catalog. Part crime thriller, part farcical comedy, Dead Pigeon on Beethoven Street is a hidden gem in Fuller’s filmography.
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Le Voyou / The Crook (1970) Claude Lelouch, Jean-Louis Trintignant, Danièle Delorme, Charles Gérard, Crime, Thriller

When Simon (Jean-Louis Trintignant) is released from prison, he emerges with a bold kidnapping scheme. He enlists the help of an old cohort and his former lover, Martine (Christine Lelouch), to kidnap a young boy. The child’s father is an employee at a bank, and the three criminals blackmail the financial institution, demanding $1 million in ransom. Out of fear, the bank pays the sum, but the kidnappers may have bitten off more than they can chew.
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Deep Trap / Ham-jeong (2015) Hyeong-jin Kwon, Ji An, Han Sun Jo, Dong-seok Ma, Crime, Horror, Thriller

Despite her will to become a mother, So Yeon cannot achieve her goal because of her husband’s uncooperative behavior. Even though he showed her no response, she tried many ways to reach pregnancy. Knowing her mind, her husband feels guilty for not being able to do anything more and then try to stay away from her and his remorseful conscience. As a last resort, So yeon finds an isolated restaurant on an isolated island. With the help of the restaurant’s owner, she draws a plan for her husband…
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The Glass Key (1942) Stuart Heisler, Alan Ladd, Veronica Lake, Brian Donlevy, Crime, Drama, Film-Noir

In this slick updating of Dashiell Hammet’s crime novel, political boss Paul Madvig (Brian Donlevy) falls for reform politician Ralph Henry’s attractive daughter Janet (Veronica Lake), despite the caution of his best friend, Ed Beaumont (Alan Ladd). Paul’s efforts to disassociate himself from the criminal underworld backfire, however, when he is accused of murdering Janet’s disreputable brother, and a casino owner Paul had offended sends his sadistic thugs after Ed in revenge.
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Woman In Lust (1993) Drama, Crime, Sexploitation, Erotic

Anna for her boyfriend Steven, when at the expense of the dancers, and the earned money is given to Steven to do business, hope one day to live a normal life, but the original love Stephen is a liar…
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Trois vies et une seule mort / Three Lives and Only One Death (1996) Raoul Ruiz, Marcello Mastroianni, Anna Galiena, Marisa Paredes, Comedy, Crime

Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link between four different, yet similar, stories involving love, lust, crime, and time.
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The Unfaithful (1947) Vincent Sherman, Ann Sheridan, Lew Ayres, Zachary Scott, Crime, Drama, Film-Noir

Chris Hunter kills an intruder and tells her husband and lawyer it was an act of self-defense. It’s later revealed that he was actually her lover and she had posed for an incriminating statue he created.
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The Walls Came Tumbling Down (1946) Lothar Mendes, Lee Bowman, Marguerite Chapman, Edgar Buchanan, Action, Adventure, Crime, Mystery, Romance

The Columbia mystery melodrama The Walls Came Tumbling Down is regarded in many circles as star Lee Bowman’s finest hour-and-a-half. Bowman is cast as Winchellesque Broadway columnist Gilbert Archer, who insists upon investigating the death of an old friend, a priest. The police insist that the priest hanged himself, but Archer believes otherwise, and together with Boston socialite Patricia Foster (Marguerite Chapman) he begins to play detective – though “play” is hardly the word. Key ingredients to the mystery are two rare Bibles and a painting of the fall of Jericho. The principal villainy comes at the grubby hands of Columbia contractees George Macready and Edgar Buchanan, while J. Edward Bromberg has a few amusing moments as a kooky art dealer.
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