Crime

Blues in the Night (1941) Anatole Litvak, Priscilla Lane, Betty Field, Richard Whorf, Crime, Drama, Music

Blues in the Night (1941)
“Jigger’ Lane forms a band that includes singer Ginger ‘Character’ Powell, wife of the trumpeter Leo Powelll, and Nickie Haroyen and Peppi. All of them dedicate themselves to work as a unit and to play ‘blues’ music. The dedication isn’t paying off in money and, while riding the rails in a boxcar, they meet and befriend a gangster named Del Davis. He offers them a job at a New Jersey roadhouse, where Powell falls in love with Kay Grant, a former ‘real-good friend’ of Davis. But when Powell learns that ‘Character’ is about to have a baby, he returns to her. “Jigger” tries to make Kay the band’s singer and, when this fails, runs off with her. She leaves him with nothing to show for him except a nervous breakdown.Back at the roadhouse, after his recovery, Kay shows up, has a quarrel with Davis, shoots and kills him and plans to take back up with “Jigger”, who knows better but just can’t help himself. While she is waiting in a car for him, along comes cripple Brad Ames, who she put in …
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I Mobster (1958) Roger Corman, Steve Cochran, Lita Milan, Robert Strauss, Crime, Drama, Film-Noir

I Mobster (1958)
Joe Sante wants to be the big man, and nobody is going stand in his way. In a world full of smoke, molls, shakedowns, muscle, and murder, Joe knows what he wants and how to get it. But can he disregard his poor old immigrant parents who are ashamed of his criminal life? Will he drag his sweet girlfriend into the life of the underworld? And most importantly, can Joe trust his mobster friends?
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Adams æbler / Adam’s Apples (2005) Anders Thomas Jensen, Ulrich Thomsen, Mads Mikkelsen, Nicolas Bro, Comedy, Crime, Drama

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Ivan is a priest in a rural church known for the apples that grow on a large tree in front. He’s odd: seeing the world through rose-colored glasses, in denial about personal facts, and convinced he’s at war with Satan. The rectory is a half-way house for recently paroled convicts. Adam arrives for 12 weeks, a large, tough neo-Nazi, first baffled by Ivan’s thick-headed optimism, then angry. He vows to break Ivan’s faith. Meanwhile, in exasperation at Ivan’s insistence, Adam sets a personal goal: to bake an apple pie. All goes awry for the tree: crows, worms, lightening. The Book of Job gives Adam perverse insight, and his hooligan mates provide the resolution’s spring.
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Oedipus orca (1977) Eriprando Visconti, Rena Niehaus, Gabriele Ferzetti, Carmen Scarpitta, Crime, Drama, Thriller, Erotic

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Alice is brought back to her family after she is rescued from the men that kidnap her, but her nightmare is far from over since she continues to have constant flashbacks of her ordeal. She resents her parents because she believes they wouldn’t pay for her ransom, since that is what she heard her captors say through a wall when she was kidnapped. Coming back to normal life is not easy for her because she has to deal with her parents, her boyfriend, and mix feelings she had for one of the captors that she had sex with in order to survive.
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Whistle Stop (1946) Léonide Moguy, George Raft, Ava Gardner, Victor McLaglen, Crime, Drama, Film-Noir

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Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary’s affections. Kenny’s friend Gitlo, a bartender in Lentz’ club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder.
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Vrazda po nasem / Murder Czech Style (1967) Jirí Weiss, Rudolf Hrusínský, Kveta Fialová, Václav Voska, Comedy, Crime

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The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The “Murder” of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife’s unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ‘ Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
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