Comedy

At a decadent 1930’s party, two very sexy and utterly shameless young women, Nathalie (Veronique Catansaro) and Eiliane (Cornelia Wilms) make a bet with a rich and handsome young Baron to corrupt two innocent teenagers in order to ruin their families’ reputations. The prize on offer is marriage to the wealthy Baron.
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A modern fable about loneliness, emptiness, alienation, and the demonization of minorities. A young zombie, Otto, crawls out of his grave and unlives on the Berlin streets. There he meets an avante-garde film-maker who gives him a part in her political-porno-zombie movie. Otto discovers information about his past life that allows him to move on. Is it the living or the dead who are the zombies?
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The characters from the classic Grimm’s Fairy Tales engaged in activities the Grimm Brothers probably wouldn’t approve of. Imagine the classic fairy tales Cindarella, Snow White, and Sleeping Beauty. Now imagine these stories set to a bad knock-off of the soundtrack to Hair. Now imagine that they’re set in a magical kingdom where the women are typically unencumbered by clothing. Now imagine that this magical kingdom is populated by mushrooms that turn into dwarves, men in bear suits with tiny golden crowns, and witches with neon-blue hair.
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Jonathan Street is a struggling composer when he meets and marries Annette. The problem is that Jonathan was drunk and does not want to be married. Annette does go with him to Paris and does the cooking and cleaning. To get his music published, Annette takes it to Paul and he is won over – by her voice and not the music. So he manages her career and she becomes a star as an opera singer everywhere she goes. Since Jonathan cannot sell anything he writes, he leaves Annette and that makes Annette sad as she wants only to be his wife.
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Peter is a composer and a likable sad sack who’s devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he’s checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she’s lost, and what about Rachel?
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Miss Heaven wishes very much to get into films, but first she must meet Sin through Salacity, that is, have all sorts of sex on a producer’s couch.
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French New Wave director Claude Chabrol steps away from his usual style of mysteries and psychological dramas for the sex comedy Folies Bourgeoises, based on the novel Le Malheur Fou by Lucie Faure. Bruce Dern is the American writer William Brandels and Stephane Audran is his French socialite wife, Claire Brandels. The story follows the confusion of the infidelities of the wealthy upper class.
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In this comedy, a barge captain with an Electra complex marries two women. He married the first because she laughed like his late mother. He married the other because she cooks like his mom. He soon finds himself in over his head. A good friend helps extricate him by devising an ingenious plot. The captain is to be blamed for a murder. He can then escape his wives by pretending to be sent to prison.
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Gold-diggers Kay Francis and Lilyan Tashman meet susceptible lonely businessmen at conventions in this ribald preproduction code story. The millionaires lavish the girls with expensive gifts. Francis falls for poor but virtuous Joel McCrea. Eugene Paulette is a copper king who gives Tashman jewelry. His wife reacts not with jealously but by trying to imitate her rival’s style.
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Mr. T’s first starring made-for-TV movie role has him playing a tough and scowling, but softhearted, nightclub bouncer who finds himself involved with a bunch of kids after being conned into taking over a youth center.
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