Comedy

The film opens with a montage of protests regarding the Civil Rights Movement and Vietnam War, before cutting to Raoul Duke (Depp) and Dr. Gonzo (Del Toro) speeding down the desert of Nevada. Duke, under the influence of mescaline, complains of hallucinating a swarm of giant bats, before going through the pair’s inventory of psychoactive drugs. Shortly afterward, the duo stop to pick up a young hitchhiker (Tobey Maguire), and explain what they are doing. Duke has been assigned by an unnamed magazine to travel to Las Vegas and cover the Mint 400 motorcycle race. However, they have also decided to take advantage of this trip by purchasing countless drugs, and rent a brand new Chevy Impala convertible. The young man soon becomes terrified of the drug-filled antics of the duo, and flees on foot. Trying to reach Vegas before the hitchhiker can go to the police, Gonzo gives Duke a tab of “Sunshine Acid”, then informs him that there is little chance of making it before the drug kicks in. By the time they reach the strip, Duke is in full throes of his trip, and barely makes it through the check-in; all the while hallucinating that the hotel clerk is a moray eel, and that his fellow bar patrons are hideous lizards in the depths of an orgy.
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The owner of a large bookstore chain starts putting the owner of a small local bookstore out of business. Meanwhile they have been corresponding over the internet without knowing who either of them are. They can’t stand each other in person but over the internet they are very attracted. He finds out who she is but she doesn’t know. He starts to like her more but she still hates him. He has to fix it.
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Rosalba, a young tourist guide, suffers from a strange ailment: the very least melody sets off in her gesticulation and she beings to dance, as suddenly as uncontrollably. Despite her ruses to hide her eccentricity, this uncontrollable body might well seduce her surprising co-worker, Alain.
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A stowaway (Stanis?aw Tym) sneaks aboard a ship departing on a cruise down the Vistula River. The captain takes him for a Communist Party cultural coordinator and the intruder gladly adapts to his new role, immediately setting to work at manipulating the passengers and crew into silly and vaguely humiliating games. Before long, Tym has got everyone under his thumb and created his own comedic dictatorship.
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It all begins when an average family (slightly chilly because they’re forced to take their vacation out of season) is struck by good fortune.
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A writer of BAD detective novels is in full writers’ block. He pretends to be the alibi of a beautiful woman who was arrested for murder at first thinking her innocent, but as she shows more and more interesting abilities (such as knife throwing) he begins to doubt his first assessment. He is still falling for her, but more and more nervous as time passes, and there are more close calls with death on his part.
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From executive producers Wes Craven, Ben Affleck, Matt Damon and Chris Moore comes the “incredible horror extravaganza” Feast (Harry Knowles, Ain’t It Cool News), whose production was chronicled on the third season of Bravo’s hit reality series Project Greenlight. When a motley crew of strangers find themselves trapped in an isolated tavern, they must band together in a battle for survival against a family of flesh-hungry creatures. Terrifying and full of surprises, Feast turns the screen blood red as the group is devoured one-by-one.
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After yet another failed relationship, Mrs. Flax (Cher) ups her family to the east coast to start all over again. Reluctantly dragged along with her is her daughter Charlotte – going through a very confusing time of her life – who wants to become a nun, and instead falls in love with a quiet, mild-mannered church employee, to the mixed response of her mother. Set at around the time of the Kennedy Assassination.
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When the Jade Empress hatches a plan for world domination, it’s up to crime-fighting duo Bikini Avenger and Thong Girl to stop her and her nefarious minions.
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A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a classmate, Michiko, takes him to after-school activities. Lessons on humility turn violent when a masked hatchet-wielding woman turns up. Jealousy, syringes of hormones, bare breasts, a blood bath, and more figure in the resolution.
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