Comedy

A modern fable about loneliness, emptiness, alienation, and the demonization of minorities. A young zombie, Otto, crawls out of his grave and unlives on the Berlin streets. There he meets an avante-garde film-maker who gives him a part in her political-porno-zombie movie. Otto discovers information about his past life that allows him to move on. Is it the living or the dead who are the zombies?
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The characters from the classic Grimm’s Fairy Tales engaged in activities the Grimm Brothers probably wouldn’t approve of. Imagine the classic fairy tales Cindarella, Snow White, and Sleeping Beauty. Now imagine these stories set to a bad knock-off of the soundtrack to Hair. Now imagine that they’re set in a magical kingdom where the women are typically unencumbered by clothing. Now imagine that this magical kingdom is populated by mushrooms that turn into dwarves, men in bear suits with tiny golden crowns, and witches with neon-blue hair.
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The early 1900’s with its Mann-Act (disallowing women to be transported across State lines for immoral reasons) brings a married man to devise a scheme for taking his upper-class girlfriend away with him… he simply has her marry his unmarried buddy. However, it doesn’t take very long before both men start laying claim to her affection… until, that is, she’s about to be cut out of her parent’s fortune. So, a new scheme is devised, which only adds to their problems, as well as to the sly whimsy of this film.
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Jonathan Street is a struggling composer when he meets and marries Annette. The problem is that Jonathan was drunk and does not want to be married. Annette does go with him to Paris and does the cooking and cleaning. To get his music published, Annette takes it to Paul and he is won over – by her voice and not the music. So he manages her career and she becomes a star as an opera singer everywhere she goes. Since Jonathan cannot sell anything he writes, he leaves Annette and that makes Annette sad as she wants only to be his wife.
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It is pouring with rain at one minute to midnight on Friday the thirteenth, and the driver of a London bus is peering through his blurred windscreen as his vehicle sails down an empty road. Suddenly, lightning strikes, and a vast crane above topples into the path of the oncoming bus… Then Big Ben begins to wind backwards. Time recedes. And we discover the lives of all the passengers and the events that brought them to that late-night bus journey, from the con-man with a hundred-pound cheque to the businessman’s distraught and elderly wife. Time flows on, inevitably, to the crash – and past it, as some live and some die.
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Peter is a composer and a likable sad sack who’s devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he’s checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she’s lost, and what about Rachel?
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Miss Heaven wishes very much to get into films, but first she must meet Sin through Salacity, that is, have all sorts of sex on a producer’s couch.
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A health-resort where both the clients and the employees easily take their clothes off and have a little fun is the setting of this sex-comedy.
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A Major noted for advancing with his mouth before thinking is given a choice: to be drummed out of the Army, or take command of and shape up the ROTC program at Sheridan Academy before it fails its next inspection. At Sheridan he encounters three hundred pre-teen cadets who range from rascally to adorable, and a female doctor who has just the right prescription for him.
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French New Wave director Claude Chabrol steps away from his usual style of mysteries and psychological dramas for the sex comedy Folies Bourgeoises, based on the novel Le Malheur Fou by Lucie Faure. Bruce Dern is the American writer William Brandels and Stephane Audran is his French socialite wife, Claire Brandels. The story follows the confusion of the infidelities of the wealthy upper class.
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