Action

Zarak (1956) Terence Young, Victor Mature, Michael Wilding, Anita Ekberg, Action, Adventure, Romance

Zarak (Terence Young, 1956)
On the mountainous frontier between British India and Afghanistan, circa 1860s, Zarak Khan kisses Salma, the youngest wife of his father, Haji Khan. Outraged, his father orders Zarak to be flogged to death but spares his life at the urging of an elderly Mullah. Zarak now leaves his village and becomes a notorious outlaw, prompting the British to assign a Major Ingram to capture him. Zarak and Ingram have several encounters, developing a grudging respect for each other. When Ingram is captured by Ahmad, one of Zarak’s rivals, Zarak risks his life to save the British officer.
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Nora-neko rokku: Onna banchô / Stray Cat Rock: Delinquent Girl Boss (1970) Yasuharu Hasebe, Akiko Wada, Meiko Kaji, Kôji Wada, Action, Crime, Drama

Nora-neko rokku Onna bancho (1970)
Tells the story of Mei, leader of an all-girl biker gang, inadvertently gets involved with a yakuza group’s plot to rig boxing matches because of her boyfriend and a rival gang. When the yakuza tortures and kills some of her members, she comes out of hiding and, with the help of a loner named Ako, seeks revenge.
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Little Red Monkey / The Case of the Red Monkey (1955) Ken Hughes, Richard Conte, Rona Anderson, Russell Napier, Action, Adventure, Crime

Little Red Monkey (1955)
Several murders of nuclear scientists, that baffles Scotland Yard, occur in London about the same time that Bill Locklin, a special officer from the United States State Department, arrives to oversee the transfer of Professor Leon Dushenko, a Russian scientist who as fled the U.S.S.R. An attempt is made on Dushenko’s life with a monkey’s paw-print found at the scene. Newspaperman reporter Harry Martin is covering the story. Duskenko is moved secretly to a nursing home, while Locklin stumbles onto the hideout of the gang behind the killings. He is captured along with Julia Jackson, niece of Superintendent John Harrington. Locklin is tortured to reveal Dushenko’s hiding place but escapes in time to avert Duskenko’s murder at the hands of the gang’s hired-killer–-a midget who is aided by a monkey.
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The Spy I Love / Coplan prend des risques (1964) Maurice Labro, Dominique Paturel, Virna Lisi, Jacques Balutin, Action, Drama

The Spy I Love (1964)
This is a low-to-the-ground espionage story shot in the style before James Bond made the splash heard ’round the world in Dr. No, even though it was made two years later. The simple story, about a stolen nuclear rocket propellant called the SR 712, is told in a nuts-and-bolts manner and the low key hero will barely register on those brought up on the larger than life Bond.
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Seven Miles from Alcatraz (1942) Edward Dmytryk, James Craig, Bonita Granville, Frank Jenks, Action, Drama

Seven Miles from Alcatraz (1942)
After Pearl Harbor, convicts at Alcatraz prison live in fear of bomb attacks, driving Champ Larkin and his pal Jimbo to a desperate escape attempt which lands them on a tiny lighthouse island, where they take over. The five inhabitants are stymied in their efforts to summon aid. But the island also figures in the schemes of a big Nazi spy ring; which will win out, the gangsters’ greed or their patriotism?
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Sins of the Realm / Slaves of the Realm (2003) Lloyd A. Simandl, Rena Mero, Daniela Krhutova, Lucie Vondrácková, Action, Adventure, Sexploitation

Sins of the Realm (2003) Slaves of the Realm
In a distant time and place a country is divided into several kingdoms. The king of the richest has recently died and his son and heir will have a new bride selected for him from amongst the princesses by the high priestess. But before the selection can begin, the beautiful princesses must be freed from their jealous kidnappers, who have forced them to work in the silver mines!
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Cien / Shadow (1956) Jerzy Kawalerowicz, Zygmunt Kestowicz, Adolf Chronicki, Emil Karewicz, Action, Drama

Cien (Jerzy Kawalerowicz, 1956)
The plot consists of a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war and one in contemporary Poland. In each, the victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics of the day attacked the film for its depiction of a world rife with secret agents and hidden enemies – a favorite Stalinist theme – yet the film seems rather to insist on how heroism or villainy are so often matters of point of view and timing.
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