In this adaptation of Françoise Sagan’s best selling novel, Paula is a beautiful and highly successful 40-year-old businesswoman. She is deeply in love with Roger, her mature consort of five years. Roger is a very charming gallant who loves Paula but is too selfish to give up his freedom to be promiscuous. When Paula meets Phillip, the 24-year-old immature lawyer son of one of her rich clients, he falls hopelessly in love with the glamorous, sympathetic older woman and insists that the age difference will be no barrier to a romance. Paula resists the young man’s persistent advances, but she finally succumbs when Roger initiates yet another affair with one of his young Maisies. An affair begins, and society does not approve.
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17-year-old Jimmy Walker is brutally beaten by Manny Cole and two of his teen-age punk friends, Joey and Al, because Manny wants to move in on Jimmy’s girl, Carole Fields. Later, Jimmy shows up at the hangout of the teenage crowd to take Carole away, and challenges Manny to a fight. Manny’s two buddies move in with brass knuckles, and one of them pulls a pistol, which falls to the ground in the scuffle. Jimmy picks it up and shoots Manny and Al. A police officer orders Jimmy to surrender, but he panics, thinking he killed the pair, and dives into a small storeroom, and holds Sam and Mrs. Maxton and her small infant baby hostages. Police Lieutenant Porter and others plead with Jimmy to surrender and release the hostages, but the terrified Jimmy threatens Sam and Mrs. Maxton with death if they break out. A large crowd gathers and almost breaks through the police lines to storm the storeroom. Porter decides to use tear gas, with a rescue unit standing by to help Mrs. Maxton and her baby….
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The career of a Nazi officer shown as flashbacks from his trial as a war criminal.
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Andre Laurence accompanies his college roommate, Tenga, back to Tenga’s Polynesian island home. There, Andre, assumes the native life and, after many trials with the native customs and their suspicions, marries his friend’s sister, Kalua. Their marriage is barren of children. A final blow to Andre comes with the eruption of a volcano and island’s holy man, The Kahuna, decides that the volcano can only be appeased with the sacrifice of Kalua.
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When Steve Emery arrives in Trinidad at the urgent request of his brother, he is stunned to find that his brother has not only been murdered, but that his brother’s wife Chris is succumbing to the seduction attempts of the man who quite possibly is the murderer. His feelings are further exacerbated when he discovers that he, too, is becoming strongly attracted to Chris, who is a steamy cabaret singer. She, in turn, is playing off one against the other while betraying the secrets of both men to the police, for whom she is secretly working.
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John Ford weaves three “Judge Priest” stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William Priest is involved variously in revealing the real identity of Lucy Lake, reliving his Civil War memories, preventing the lynching of a youth and contesting the elections with Yankee Horace K. Maydew.
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The lackluster and plodding station master Bolwieser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.
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From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.
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Christopher Lee returns as Sax Rohmer’s insidious Asian villain Fu Manchu for the second of his five vehicles. This time Fu Manchu and his army of henchmen are kidnaping the daughters of prominent scientists and taking them to his remote island headquarters. Instead of asking for ransom, Fu demands that the fathers help him to build a death ray, which he intends to use to take over the world. But Fu’s archenemy, Nayland Smith of Scotland Yard, is determined not to let that happen…
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A blonde actress is murdered across from a bar. An off-duty cop has been getting pleasantly sloshed, but becomes worried about his innocence when he finds out he was seen leaving the establishment with a blonde, but doesn’t remember. As he investigates, he interviews a columnist who was going with the actress, a caricaturist who drew the victim, the caricaturist’s wife who works at the bar, and the caricaturist’s lover, and slowly begins to put the pieces of the deadly puzzle together.
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