In World War II, a group of Nazi officers come up with a propaganda event in which an all star Nazi team will play a team composed of Allied Prisoners of War in a Soccer (Football) game. The Prisoners agree, planning on using the game as a means of escape from the camp.
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An attractive reporter investigating the mysterious destruction of an Illinois town stumbles upon a secret government laboratory conducting radiation experiments on vegetables. The lead scientist is eager to help find out what happened. Together they discover that giant grasshoppers are behind the devastation. Worse yet, thousands of them are headed toward Chicago! Can they be stopped… or is this the BEGINNING OF THE END?
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Jim Piersall is groomed by his loving but hard-driving father (living vicariously through his son) to play major league baseball. His desire to succeed to please his father leads to mental illness and a nervous breakdown. Can he overcome those difficulties and return to the major leagues?
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Carroll Baker plays a dual role as translator Julie Harrison and her twin sister Mary. The serpentine plot begins as Julie tells her lawyer Dave Barton (Stephen Boyd) that Mary’s life is being threatened in London while Julie herself is being stalked by a mysterious stranger in Amsterdam.
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The plot consists of a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war and one in contemporary Poland. In each, the victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics of the day attacked the film for its depiction of a world rife with secret agents and hidden enemies – a favorite Stalinist theme – yet the film seems rather to insist on how heroism or villainy are so often matters of point of view and timing.
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An autobiographical docudrama about an attempt to remake Alain Resnais’ 1959 film Hiroshima Mon Amour.
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In this tribute to the old time spaghetti westerns with a liberal dose of modern Hong Kong film-making thrown in, Emilio Estevez assumes Clint Eastwood’s “man with no name” role. Estevez plays a super-quick gunman on the run from a rancher (Long) and his men out to kill him for killing his son. The gunman gets mixed up with a former Confederate soldier (William Forsythe) who has knowledge of hidden gold. The only trouble is he is also pursued by Union soldiers. When they free a man (Ed Lauter) with part of the map to the gold, they then are also pursued by Spanish soldiers. It all leads to a small Mexican town terrorized by soldiers and led a by a good priest (Joaquim De Almeida) who also has knowledge of the gold.
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Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He chooses Camille Bliss as his subject of study and begins to visit her in prison for interviews. Camille became acquainted with trouble at a young age and justifies her actions by “fate-bets.” She is currently in prison for allegedly murdering one of her lovers. As she tells Stanislas of her life and love affairs, his interest in her grows to more than just professional. Can he resist her charm?
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Some time after “Baisers Volés”, Antoine Doinel (Jean-Pierre Léaud) and Christine Darbon (Claude Jade) are married and Antoine works dying flowers, and Christine is pregnant and gives private classes of violin. When Christine is near to have a baby, Antoine decides to find a new job, and he succeeds due to a misunderstanding of his employer. In a business meeting, he meets the Japanese Kyoko (Mademoiselle Hiroko) and they have an affair. When Christine accidentally discovers that Antoine has a lover, they separate. But later they miss each other and realize that they do love each other.
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16 years old, Shlomi lives with his restless mother, his soldier brother and their ill grandfather. Although not doing well in school, Shlomi is a gifted cook and takes care of most household chores. One day, the school’s principal finds out Shlomi is actually a genius and tries to get him into a more suitable curriculum. However, Shlomi is more interested in taking care of his family and his new love interest, the beautiful girl next door.
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