Four models go on a photo shoot at an abandoned house previously belonging to the infamous Kandie family. Little do they know that Jonah Kandie still lurks there, seeking revenge on anyone that comes near after being scarred beyond recognition by his father as a young boy. One by one, the models soon become the victims of the vicious killer’s merciless hatred for all things beautiful.
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Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he’s abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
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After trying to live the American dream, Alice returns to a Wonderland of crystal-meth. Her new family consists of characters straight from the March Hare’s tea party; a dysfunctional crew consisting of an insane pimp, a worn out prostitute, and a lethargic burnout. As their lives spiral further into darkness and the past seeks retribution, all will pay the ultimate price for what was lost down the rabbit hole.
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From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron’s son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron’s household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold.
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As the staff of Good Friends Church Camp prepares for a spring break filled with “Fun Under the Son”, a demon logger rises from his sap boiler to wreak his vengeance and feast on flapjacks soaked in the blood of his victims.
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Maybe your folks never did, but we bet that Grandpa or Uncle Louie whispered a few of these. Anyway, you’ve heard most of these racy knee-slappers before. The film is little more than a series of blackouts, concentrating on anatomical humor. And oh, yes: there’s lots of buxom females.
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Fear chokes the free-wheeling underbelly of San Francisco’s punk scene as a killer stalks the night to feed an unspeakable appetite. Community suspicion focuses on Disease, a band that is tainted by groupie deaths allegedly induced by the drug DZS, and on “The Creeper” a misshapen outcast from the bowels of the city. A writer probes the gruesome murders and the story hits close to home, as the web of death devours neighbors, friends, and lovers.
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Five men ride into the eerie town of Yellow Rock, hoping to rescue a family member and his lost boy.
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Stella Parish, star of the London stage, keeps her private life a secret. After an opening night triumph, her mysterious past catches up with her and she vanishes before the after-party. When Ms. Parish doesn’t show up, Keith Lockridge, an ace newspaper reporter, at first assumes it to be a publicity stunt. But producer Stephan Norman receives word that Stella is leaving the country. Lockridge is able to track Stella to a ship bound for America, where she is traveling under a false name and wearing a disguise. Aboard the ship Lockridge befriends Stella and her young daughter Gloria. In New York he becomes very close to Stella (now without the disguise) and Gloria, all the while digging up the details of Stella’s sordid past. Stella confesses her love for Lockridge after he’s already wired his story to his newspaper. With the truth out in the open, Stella sends Gloria to be raised abroad while she exploits her notorious reputation onstage. Sorry for the mess he’s made, Lockridge does …
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Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
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