From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron’s son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron’s household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold.
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Maybe your folks never did, but we bet that Grandpa or Uncle Louie whispered a few of these. Anyway, you’ve heard most of these racy knee-slappers before. The film is little more than a series of blackouts, concentrating on anatomical humor. And oh, yes: there’s lots of buxom females.
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Fear chokes the free-wheeling underbelly of San Francisco’s punk scene as a killer stalks the night to feed an unspeakable appetite. Community suspicion focuses on Disease, a band that is tainted by groupie deaths allegedly induced by the drug DZS, and on “The Creeper” a misshapen outcast from the bowels of the city. A writer probes the gruesome murders and the story hits close to home, as the web of death devours neighbors, friends, and lovers.
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Five men ride into the eerie town of Yellow Rock, hoping to rescue a family member and his lost boy.
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