A band of hooded men have formed a court and they are exacting justice upon the criminals who have escaped the reach of the law. The sentence they exact is death by hanging. Using the hangman’s rope from the Scotland Yard Museum they leave their victims hanging from various locations with a file detailing the case against them pinned to the body. Scotland Yard is stumped and have assigned their best man to break the case. Meanwhile another fiend is on the loose, one who is neatly severing the heads of young women. The bodies are found the heads are not.
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A man and a woman meet by accident on a Sunday evening at their childrens’ boarding school. Read More »

Bibi is a world class escape artist, but he cannot escape the false murder charge that is placed on him. Max has killed Bourrelier before he was removed from the will so that he will be rich when he marries Cecile. Together with Vera, they put the blame on Bibi, who is a romantic rival to Max, and he is sentenced to death. But Bibi escapes before his execution and hides in Herman’s secret cellar. When he learns that Max is dying, Bibi goes to his house for his confession, but Max dies before it is told to anyone else. So Bibi, has just one chance, and he goes to Dr. Gorin who will make him look like Max so that he can clear his name and put the blame where it belongs – on Max, even in death.
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Terence Davies (1945- ), filmmaker and writer, takes us, sometimes obliquely, to his childhood and youth in Liverpool. He’s born Catholic and poor; later he rejects religion. He discovers homo-eroticism, and it’s tinged with Catholic guilt. Enjoying pop music gives way to a teenage love of Mahler and Wagner. Using archival footage, we take a ferry to a day on the beach. Postwar prosperity brings some positive change, but its concrete architecture is dispiriting. Contemporary colors and sights of children playing may balance out the presence of unemployment and persistent poverty. Davies’ narration is a mix of his own reflections and the poems and prose of others.
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After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a co-worker, Holly. Their relationship is complicated when Nina, unable to find rest in the afterlife, comes back to life to sarcastically torment them whenever they have sex.
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