In the early 1970s, with Greece under the rule of a military junta, pre-teen Stavros discovers a strange accompaniment to the awakening of eros: he subverts the meanings of classical myths, creating strange physical symptoms in those around him. Stavros’ conservative parents, perplexed and flustered, take him from specialist to specialist. Diagnoses vary, until a fortune-teller deems that the boy is victim of a rare, ancient disease, which exhibits himself when he is in love. After the collapse of the junta, as Stavros meets the toils of love and politics in university, the influence of his strange affliction extends, from his immediate environment into the political arena.
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‘Three hundred men’ is one long night at Saint Jean de Dieu, in Marseille. The center welcomes and confines three hundred homeless men every night over the winter. This documentary is neither the description nor the chronicle of the life of a shelter. It portrays humanity reduced to its essence, when only remain speech, humor, anger or madness to affirm that one still exists.’
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Filmmaker Roger Nygard roams the globe to the source of each of the world’s philosophies, religions, and belief systems. He interviews spiritual leaders, scholars, scientists, artists, pizza chefs, and others who have influenced, inspired, or freaked out humanity.
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Hello, my name is Anna and I am nine years old. I wish you had known me before – I mean before my aunt Marga and my cousin Pilar came to my parents’house -, I was such a happy little girl. Before their coming life was a bed of roses. Of course my little brother could be a pain in the neck – little brothers always are, aren’t they? – but there was that wonderful big house, there was my Cuban-born nanny who cooked so well, there was the bath before dinner, not to mention this wonderful catechism class at the catholic school. But they did come, those Spanish intruders. And now never heard before names like “Franco”, “Allende”, “Women’s Lib”, “abortion”, the lot, have got into my life. Daddy and Mummy have suddenly become “communists”, although this a term that Bon Papa and Bonne Maman (my grandparents from Bordeaux, in fact) just hate. Because of the intruders not only did we move to a tiny apartment but the place is invaded day and night by “barbudos” (bearded men). No more bath before …
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A good kid with no record commits a robbery, kills an old man and winds up on death row. The authorities try to figure out why he went bad.
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Enron dives from the seventh largest US company to bankruptcy in less than a year in this tale told chronologically. The emphasis is on human drama, from suicide to 20,000 people sacked: the personalities of Ken Lay (with Falwellesque rectitude), Jeff Skilling (he of big ideas), Lou Pai (gone with $250 M), and Andy Fastow (the dark prince) dominate. Along the way, we watch Enron game California’s deregulated electricity market, get a free pass from Arthur Andersen (which okays the dubious mark-to-market accounting), use greed to manipulate banks and brokerages (Merrill Lynch fires the analyst who questions Enron’s rise), and hear from both Presidents Bush what great guys these are.
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Sam Longwood, a frontiersman who has seen better days, spies the gold-mine partner, Jack Colby, who ran off with all the gold from a mine they were prospecting fifteen years earlier. He tells his other partners from that time, Joe Knox and Billy, and they confront Colby demanding not only the thousand dollars he took but an addition fifty-nine thousand for their trouble. After being thwarted in this attempt, they, and a would-be whore named Thursday, hatch a plan to kidnap Colby’s wife, Nancy Sue, who is coincidently Sam’s old flame, but find that Nancy Sue is not the sweet girl that Sam remembers.
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Southern negro Sylvia Landry visits her cousin Alma in the north, where there is less racial prejudice than in her home town of Piney Woods in the deep south, and is anxiously awaiting her fiancé, Conrad. But Alma has designs on Conrad and tricks Sylvia into a compromising situation when he arrives, and he abandons her. Disheartened, she returns to Piney Woods to help a reverend running a school for young negroes. Sylvia learns that the reverend hasn’t the heart to turn away poor students, and unless he can raise $5,000 to supplement the $1.49 per child per year that the state supplies, the school will be closed. She goes up north again to try to raise the money and has little success, but meets kindly negro, Dr. V. Vivian, who helps her regain her stolen purse. When she saves a child from being hit by an auto, she herself is slightly injured. But the owner of the car is philanthropist Mrs. Elena Warwick, who is sympathetic to her quest and promises to donate the $5,000 to the school…
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My films are like that: in a room, but looking out onto an open sky. I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign.
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A self-portrait documentary of Dusan Makavejev who travels to former Yugoslavia, and charts the changes of the society which parallels to his own life.
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