Beautiful Mary returns to her small hometown after many years from Chicago wearing a mink coat and carrying an expensive cigarette case. Her arrival causes long standing enmities to surface between two of her old boyfriends, Kenny Veech, a loafing gambler, and debonair Lew Lentz, owner of a local nightclub. Their deep-seated animosity repeatedly results in antagonism and fights as they compete for Mary’s affections. Kenny’s friend Gitlo, a bartender in Lentz’ club, enlists Kenny in an aborted plan to rob Lentz of $15,000 in profits from sponsoring a local carnival. Lentz retaliates by framing both men for murder.
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The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The “Murder” of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife’s unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ‘ Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.
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Toss lives on a sheep farm with her father in New Zealand. When Toss’s father dies in an accident, Ethan, an itinerant hunter, wanders onto the family farm and is given a job by her grandfather. Toss’s fairly innocent relationship with Ethan is severed when he forms a relationship with her mother.
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Trials and tribulations of a Croatian Communist intellectual in the turbulent years before, during and after WW2.
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A summertime daytrip along the railway line Rome-Orvieto on a special-fare train, a group of diverse and lively characters. Families, old couples, an unfaithful husband and his jealous wife, a forlorn girl, a nerdy white-collar worker and his flirtatious date, and a handsome, eagerly wholesome young man. Their stories merge and intersect in the beautiful scenery of a Medieval small town in central Italy.
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A doctor’s wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside cafe, she encounters a British hitchhiker, who turns out to be her son. They spend time together trying to find a bond. The son begins to hate the husband, and the wife begins worrying about the safety of her husband and his train set.
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It’s been a year since Bill Cardew was declared dead by drowning, and his widow Vicky is now married to his old friend and business partner, Henry Lowndes. When Bill unexpectedly returns from the island where he was marooned, what is Vicky to do? Well, having twice been a rather neglected wife, Vicky finds all the attention from two husbands competing for her favors delightful, and is in no hurry to make a decision…much to the discomfiture of hapless Bill and Henry.
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A few hours at Berlin-Tempelhof airport. The thick fog force the travelers to persevere on the ground. Among them is a businessman who is facing ruin and not shy away, throwing his girlfriend to another man’s neck in order to save himself. A young actress has spent her last penny at the hairdresser and is stranded in a strange city. A farmer from Kenya falls spontaneously in love with a woman and offers her a new life.
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In her teenage years, Qian Yiehong (Yan Bingyan) rejected a boy out of political differences. He hit her back with a brick, and since then her back has hurt whenever it rains. Some time later, she falls in love with a married man, but he betrays her in the end, leaving her with the pain of abortion. Qian finally gets married to a man whom she does not love. But when she divorces him, he brutally extract his tooth to give as a souvenir to her…
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Helena Trestikova is the author of 10 episodes from the series Women on the Brink of the New Millennium, intimate portraits of both successful women and women on the social periphery. The tragic story of a girl named Katka who believes that joy and happiness can be applied through a hypodermic needle. All she is left with is despair. We first meet Katka at a rehab clinic in Nemcice, still full of optimism and faith in a drug-free future. The film tries to draw attention to the drug problem from a somewhat different point of view.
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