Daily Archives: September 4, 2016

Dead Pigeon on Beethoven Street (1973) Samuel Fuller, Glenn Corbett, Christa Lang, Sieghardt Rupp, Crime, Thriller

Dead Pigeon on Beethoven Street (1973)
Following Shark!, Sam Fuller’s luck getting films funded didn’t change much; Dead Pigeon on Beethoven Street is Fuller’s only film of the ’70s. Technically, it’s not even a proper film, but if you didn’t know it was made as an episode of the German cop series Tatort (which is amazingly still running), you’d never have guessed it. Where American television stifled Fuller’s creative spirit and made him conform to the norms of whatever show he was working on, the producers of Tatort allowed Fuller the freedom to make whatever he wanted. He took this freedom and ran with it, crafting a unique, exciting picture unlike anything else in the Fuller catalog. Part crime thriller, part farcical comedy, Dead Pigeon on Beethoven Street is a hidden gem in Fuller’s filmography.
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Abe ichizoku / The Abe Clan (1995) Kinji Fukasaku, Yumi Asô, Mariko Fuji, Renji Ishibashi, Drama, Action

Abe ichizoku AKA The Abe Clan (1995)
A Choice between Loyalty or Duty of the Samurai! Can the heartlessness of society crush the honor of an individual? In the spring of the 18th year of Kanei (Feb/30/1624 – Dec/16/1644), Hosokawa Tadatoshi, feudal lord of the Higo area, died. Although Tadatoshi forbade his vassals to follow him in death before he died, they still committed seppuku one after the other. The new feudal lord, Mitsunao, Tadatoshi’s son, also gave the order forbidding seppuku. Abe Yaichiemon obeyed his former lord’s last wish but is now being called a coward by his comrades and finally decided to follow Tadatoshi in death in order to save his family’s honor. Mitsunao, upset by Yaichiemon actions, punished the Abe family unfairly. Objected to this, the Abe family shut themselves up in their manor as the lords troops moved in… This is the true story of what happened within the Hosokawa clan in early Edo era. A masterpiece by director Kinji Fukasaku that boldly depicts the struggle between humanity and the code of the Samurai.
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Le Voyou / The Crook (1970) Claude Lelouch, Jean-Louis Trintignant, Danièle Delorme, Charles Gérard, Crime, Thriller

Le Voyou AKA The Crook (1970)
When Simon (Jean-Louis Trintignant) is released from prison, he emerges with a bold kidnapping scheme. He enlists the help of an old cohort and his former lover, Martine (Christine Lelouch), to kidnap a young boy. The child’s father is an employee at a bank, and the three criminals blackmail the financial institution, demanding $1 million in ransom. Out of fear, the bank pays the sum, but the kidnappers may have bitten off more than they can chew.
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Deep Trap / Ham-jeong (2015) Hyeong-jin Kwon, Ji An, Han Sun Jo, Dong-seok Ma, Crime, Horror, Thriller

Deep Trap (2015)
Despite her will to become a mother, So Yeon cannot achieve her goal because of her husband’s uncooperative behavior. Even though he showed her no response, she tried many ways to reach pregnancy. Knowing her mind, her husband feels guilty for not being able to do anything more and then try to stay away from her and his remorseful conscience. As a last resort, So yeon finds an isolated restaurant on an isolated island. With the help of the restaurant’s owner, she draws a plan for her husband…
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Mes nuits sont plus belles que vos jours / My Nights Are More Beautiful Than Your Days (1989) Andrzej Zulawski, Sophie Marceau, Jacques Dutronc, Valérie Lagrange, Drama, Romance, Erotic

Mes nuits sont plus belles que vos jours (1989)
Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights.
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A Woman’s Testament / Jokyo (1960) Kon Ichikawa, Yasuzô Masumura, Ayako Wakao, Hiroshi Kawaguchi, Jirô Tamiya, Drama, Romance

A Woman's Testament (1960)
The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. She is investing in a company on the one hand, and on the other, taking action to snare the son of the company’s owner in matrimonial bliss. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. A scrub in the tub usually does the trick. The last story is about a widowed geisha who has no real financial worries and when she falls in love with a forger, she opts to wait for him after he is sent to prison, rather than follow societal or family dictates.
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