Set in the Taish? period of Japan (dating from 1912 to 1926), Untamed follows the fiery Oshima (in a superbly eccentric performance by Takamine) as she passes from one suitor to another, a series of calamities befalling her along the way. Characteristic of Naruse’s work, urban and rural settings are juxtaposed: the moody Tokyo streets against a majestic mountain village. At each point, the various situations Oshima is caught in seem uncannily bound up with her surroundings. It’s worth noting that the film, while not widely known, is singled out for praise by critic Chris Fujiwara.
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A couple purchases an eleven-year old girl who cannot walk, with the intention of using her to earn money through begging.
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Benson, is a Casanova who despises women and invents all sorts of tricks to bed them and leave them. His favorite one is going through Germany posing as an American GI of Teunonic extraction. Whenever he spots a girl he likes, he takes a Polarod picture of her house, knocks on the door waving the photo and pretending to be on a pilgrimage to this very cottage his grandmother so vividly described. It is an infallible system for a hit-and-run seduction. Benson seems content with his game until he meets Jamison, a real operator who has learned to combine sex with money. Jamison poses as an exiled prince and not only gets women to share his bed but also to bestow their jewels on him for the sake of the counterrevolution. Benson decides to corner Jamison’s market on sex plus finance. A contest develops, and whoever wins will dominate a small Riviera resort as “King of the Mountain,” the film’s original title. Remade in 1988 as “Dirty Rotten Scoundrels.”
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