Tag Archives: Victor Saville

Calling Bulldog Drummond (1951) Victor Saville, Walter Pidgeon, Margaret Leighton, Robert Beatty, Crime, Mystery

calling-bulldog-drummond-1951
All the various Bulldog Drummond movie series had run their courses by 1951; nonetheless, MGM decided to revive the property (and simultaneously liquidate some “frozen funds”) with the British-filmed Calling Bulldog Drummond. Walter Pidgeon stars as novelist Sapper’s soldier-of-fortune, here retooled as a respectable retired military officer. Summoned to London by Scotland Yard, Drummond is assigned to break up a dangerous criminal gang. He is aided by female undercover officer Helen Smith (Margaret Leighton), who turns out to be not much help at all. Trapped in a bombed-out building and surrounded by hulking henchmen, Drummond seems to have run out of luck. Some of the film’s brightest moments are provided by David Tomlinson as a traditional “silly ass” type who is lot smarter than he seems. Bernard Lee, the future “M” in the James Bond films of the 1960s, appears as a secondary villain.
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The Dictator (1935) Victor Saville, Clive Brook, Madeleine Carroll, Emlyn Williams, History, Romance

The Dictator (1935)
The story opens in Copenhagen in the year 1776 on the wedding night of the King and Princess Caroline Mathilde. But the marriage was a political alliance, and the Princess felt only repugnance for her dissolute husband. On the night of their marriage the King leaves Copenhagen on a pleasure trip abroad, but his fast life proves too much for his weak constitution. Summoned to attend him, an ambitious young doctor realises that here is a great opportunity. He revives the King and, tremendously impressed, the King takes him back to Copenhagen. A love affair develops between the doctor and the Princess – but it is to have terrible consequences.
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First a Girl (1935) Victor Saville, Jessie Matthews, Sonnie Hale, Anna Lee, Comedy, Musical

First a Girl (1935)
Elizabeth, a delivery girl, dreams of being a music-hall singer but she is refused at the first casting she takes part in. A bit depressed, she gets to know Victor, a would-be Shakespearean actor and another audition victim. When Victor quite unexpectedly gets a female part in a music-hall number he unfortunately finds himself voiceless. Why wouldn’t Elizabeth replace it? His new friend hesitates but finally makes her debut as … a man posing for a woman! She is noticed by McLintock, an influential talent agent who hires Mr. Victoria (Elizabeth’s stage name) and launches his/her brilliant international career. One day, Robert, a handsome young man engaged to Princess Mironoff, makes friends with this young man posing as a woman posing as a man …
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