Tag Archives: Robert Ryan
Robin Stone, an ambitious, sex driven TV news anchor catches the eye of Judith Austin, the wife of network executive Greg Austin. She pressures Greg into promoting him to a higher position and before long, he is running the network while Greg recovers from a massive coronary.
When part of Indian Territory is incorporated into the United States, good-natured rancher Vance Cordell reluctantly accepts the badge of federal marshal when a flood of notorious outlaws views the new area as ripe for banditry. Included are the Dalton and Younger Gangs, Billy the Kid, and the Sundance Kid led by the notorious Wild Bill Doolin.
Berlin Express (1948) Jacques Tourneur, Merle Oberon, Robert Ryan, Charles Korvin, Crime, Drama, Film-Noir
In divided Germany just after WWII, people from many different countries are passengers on a train. When one of the passengers, a German working for peace, is kidnapped by people who don’t want his ideas to work, the others must set aside their differences and work together to find him in time for an important conference.
Marshal Silver is run out of town under suspicion of being a trigger-happy killer after shooting a hired gun of Honest John Barrett. A placid life in a new town is interrupted by the reappearance of Barrett, old enemies and the son of the hired gun from years ago, Anderson.
Beware My Lovely (1952) Harry Horner, Ida Lupino, Robert Ryan, Taylor Holmes, Crime, Drama, Film-Noir
Helen Gordon hires Howard Wilton as a handyman to do chores around her house. She doesn’t know what she’s let herself in for. Insecure and paranoid, Wilton thinks everyone, including Helen, is against him. He suffers from memory lapses and extreme mood swings. She’s soon a prisoner in her own house after Wilton locks the doors and tears out the telephone. His mood swings from violence to complacency but after Helen gets a message to the police via a telephone repairman, she finds he is still in the house.
Five defense workers on their way to the munitions factory tell their stories: a refugee from the French Resistance, a frustrated race car driver, a prison warden, a former Miss America, and an intellectual who dropped out of society and saw the country as a bum.
The Wild Bunch (1969) Sam Peckinpah, William Holden, Ernest Borgnine, Robert Ryan, Action, Adventure, Western
“If they move, kill ’em!” Beginning and ending with two of the bloodiest battles in screen history, Sam Peckinpah’s classic revisionist Western ruthlessly takes apart the myths of the West. Released in the late ’60s discord over Vietnam, in the wake of the controversial Bonnie and Clyde (1967) and the brutal “spaghetti westerns” of Sergio Leone, The Wild Bunch polarized critics and audiences over its ferocious bloodshed. One side hailed it as a classic appropriately pitched to the violence and nihilism of the times, while the other reviled it as depraved. After a failed payroll robbery, the outlaw Bunch, led by aging Pike Bishop (William Holden) and including Dutch (Ernest Borgnine), Angel (Jaime Sanchez), and Lyle and Tector Gorch (Warren Oates and Ben Johnson), heads for Mexico pursued by the gang of Pike’s friend-turned-nemesis Deke Thornton (Robert Ryan). Ultimately caught between the corruption of railroad fat cat Harrigan (Albert Dekker) and federale general Mapache (Emilio Fernandez), and without a frontier for escape, the Bunch opts for a final Pyrrhic victory, striding purposefully to confront Mapache and avenge their friend Angel.
In the quiet frontier town of Bitters, Wyo., a dispute between cattleman Blaise Starrett (Robert Ryan) and farmer Hal Crane (Alan Marshal) is about to boil over into a bloody feud. But the fighting takes a back seat to a new threat when a rogue cavalry captain, Jack Bruhn (Burl Ives), rides into town with his band of thugs. Now, with the citizens of Bitters held hostage by Bruhn and his men, Starrett must somehow rescue his town and restore his broken reputation.
Mrs. Leslie, rooming house landlady, reminisces in flashbacks about her past as a cafe entertainer and her involvement with the mysterious George Leslie, who originally hires her as a vacation “companion” but tells her nothing of his life outside the vacations. In subplots, Mrs. Leslie’s tenants and neighbors carry on soap-opera lives.