In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. This is a near death sentence for the farmers, whose sheep are their main source of income, and many abandon their land. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits. As the authorities close in the brothers will need to come together to save the special breed passed down for generations, and themselves, from extinction.
Tag Archives: Norway
Gipsy Anne / Fante-Anne (1920) Rasmus Breistein, Asta Nielsen, Einar Tveito, Johanne Bruhn, Crime, Drama, Romance
The story of an orphaned girl brought up by the Storlein family. Young Anne (Asta Nielsen) is brought as an infant to the Storlein farm by her mother, who has been traveling and is in need of a rest. The two are turned away at the door, and the mother takes her young daughter to the barn to sleep. The farmhand Jon discovers them in the morning but the mother has not made it through the night, so young Anne is taken in and raised by the family. She is a rambunctious little girl, always getting her younger (step) brother into trouble. Finally mother Storlein has had enough, and lets slip that she never should have taken Anne in. Young Anne goes to Jon and learns the truth of her arrival at the farm. Years pass, and she and her younger step-brother are now smitten. But Jon, the farmhand who found her in the barn all those years ago is also in love with Anne. Anne will be betrayed by one and saved from a life in prison by the other, and in the end will find true happiness in a new land.
A Pigeon Sat on a Branch Reflecting on Existence / En duva satt på en gren och funderade på tillvaron (2014) Roy Andersson, Holger Andersson, Nils Westblom, Viktor Gyllenberg, Art-house, Comedy, Drama
Like modern times’ Don Quixote and Sancho Panza, Sam and Jonathan, two travelling salesmen peddling novelty items, take us on a kaleidoscopic wandering through human destinies. A trip that shows us the beauty of single moments, the pettiness of others, the humor and tragedy that is in us, life’s grandeur as well as frailty of humanity.
Trolösa / Faithless (2000) Liv Ullmann, Lena Endre, Erland Josephson, Krister Henriksson, Drama, Romance
Marianne is a theatre actress married to an orchestra conductor, Markus. She becomes involved in an affair with their director friend, David, which leads to a painful divorce and battle for custody of their daughter, Isabelle. Although all of them are merely fictional characters created by Bergman, their experiences become very real and traumatic for him.
Kampen om tungtvannet / Operation Swallow: The Battle for Heavy Water (1948) Jean Dréville, Titus Vibe-Müller, Jens A. Poulsson, Johannes Eckhoff, Arne Kjelstrup, Action, Drama, War
A reconstruction of the two last sabotage actions against the Norsk Hydro Heavy Water (Deuterium, D2O) plant at Vemork, Rjukan, in 1943-44. After the first two allied attempt of stopping the production by British soldiers and American bombings, allied trained young local patriots became successful saboteurs. First by undermining the factory, and later after a rebuild, the sinking of the heavily guarded ferry trying to transport the heavy water to Germany, on Lake Tinnsjo.
Pan / Two Green Feathers (1995) Henning Carlsen, Lasse Kolsrud, Sofie Gråbøl, Bjørn Sundquist, Drama
When Edvarda arrives at the little Norwegian village, to stay with some family, she find the Lt., Thomas Glahn, very interesting. Soon they fall in love. It’s a very passionate relationship, but this leads to problems. Both of them are very strong in their opinions, and both are behaving a little strange. Love turns to hate, and instead of doing all they can to please each other, they do all they can to hurt the other person psychological. They both do a great job, and what began as a love story turns into a sad and depressing story of two ruined persons. The story is told by Thomas Glahn from his “exile” in Thailand, where he in the beginning of the movie receives two green feathers from Edvarda.
Ingrid is blind. She lives with her husband Morten. As soon as he is out of the house, she sits at the window with a cup of tea listening to the radio or to the sounds that surround her. Ingrid’s fear of leaving the apartment grows. She suspects that her husband sometimes stays at home secretly in order to observe her. Or perhaps he chats online with a mistress whilst sitting next to her in bed, pretending to answer business mails. Einar has a penchant for internet porn and women with long hair but he’s too shy to approach anyone. Elin lives opposite him and has nobody to call her own except for her child, who spends most of the time with its father. Ingrid’s life is connected to the lives of Einar and Elin. They seem to share some of her fears and at one point even her blindness. Ingrid is aware of Einar’s and Elin’s sexual desires and Elin is familiar with Ingrid’s preferences. Or are these two just figments of Ingrid’s imagination? Blind is an experiment: how important is sight for a visual medium?
Set in the late 1800s, Hunger is about a struggling, starving Norwegian writer (Per Oscarsson) who rejects charity, even though he lives penniless in the streets, because he believes in the strength of his talent. Oscarsson won the Best Actor Award at the Cannes Film Festival for his remarkable performance. The film is based on Knut Hamsun’s novel, Sult.
Swedish painter Anders Zorn gained notoriety for his nudes. His works are currently worth millions. The film is set in the time when Zorn, already respected for his art, was commissioned to paint a portrait of the Swedish king. Though an excellent painter, Zorn’s personal life is dreadful. A boozer and a womanizer who frequently cheats on his wife, Zorn constantly seeks approval for his art. When he travels to the U.S. for a tour he meets Emilie Bartlett the wife of sculptor Paul W. Bartlett with whom he begins a sporadic affair. After Paul commits suicide, Zorn and Emilie move to Sweden. Zorn disregards his wife’s feelings and openly displays his affections for Emilie.