Part three of a trilogy. After the Japanese defeat to the Russians in the last episode, Kaji, the Japanese soldier and humanistic protagonist Read More »
Tag Archives: Michiyo Aratama
The Human Condition II: Road to Eternity (1959) Masaki Kobayashi, Tatsuya Nakadai, Michiyo Aratama, Kokinji Katsura
Kaji is sent to the Japanese army labeled Red and is mistreated by the vets. Along his assignment, Kaji witnesses cruelties in the army Read More »
The Human Condition I: No Greater Love (1959) Masaki Kobayashi, Tatsuya Nakadai, Michiyo Aratama, Chikage Awashima
In the World War II, the pacifist and humanist Japanese Kaji accepts to travel with his wife Michiko to the tiny Manchurian village Loh Hu Liong Read More »
A couple stand indecisively on a bridge in Asakusa. Tsutae and Yoshiji have lost confidence and passion for their future as they get on the bus for Tsukishima and get off at Suzaki. Read More »
An abandoned temple in the mountains outside of the old capital city of Kyoto is the scene of a fated meeting between a traveling priest, two women, and a vicious killer. Read More »
Onna no naka ni iru tanin / The Stranger Within a Woman (1966) Mikio Naruse, Keiju Kobayashi, Michiyo Aratama, Mitsuko Kusabue, Crime, Drama
Tashiro (Keiju Kobayashi) coincidentally meets his best friend Sugimoto (Tatsuya Mihashi) in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Read More »
Kon Ichikawa’s rich adaptation of Natsume Soseki’s classic novel depicts a complex relationship between a student and an older man he calls “sensei.” Read More »
Flag in the Mist / Kiri no hata (1965) Yôji Yamada, Chieko Baishô, Osamu Takizawa, Michiyo Aratama, Crime, Drama
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko (Chieko Baisho) travels from her home in Kyushu to Tokyo to get Japan’s top lawyer to defend her brother.
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Kwaidan (1964) Masaki Kobayashi, Rentarô Mikuni, Michiyo Aratama, Misako Watanabe, Art-house, Fantasy, Horror
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted.
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The Twilight Story / Bokutô kitan (1960) Shirô Toyoda, Fujiko Yamamoto, Hiroshi Akutagawa, Michiyo Aratama, Drama
A village girl goes to Tokyo and becomes a hooker to support her ailing mother. While there she meets an unmarried teacher (at least he says he’s unmarried) and falls in love. When she learns that he lied and is married to a woman whose child was fathered by another man, she is crushed. He returns to his wife. The woman becomes more distraught when she learns her uncle has misused the money she has sent. As the final straw, her mother dies, and the girl becomes sick.
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