Tag Archives: Michiyo Aratama
Flag in the Mist / Kiri no hata (1965) Yôji Yamada, Chieko Baishô, Osamu Takizawa, Michiyo Aratama, Crime, Drama
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko (Chieko Baisho) travels from her home in Kyushu to Tokyo to get Japan’s top lawyer to defend her brother.
Kwaidan (1964) Masaki Kobayashi, Rentarô Mikuni, Michiyo Aratama, Misako Watanabe, Art-house, Fantasy, Horror
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted.
The Twilight Story / Bokutô kitan (1960) Shirô Toyoda, Fujiko Yamamoto, Hiroshi Akutagawa, Michiyo Aratama, Drama
A village girl goes to Tokyo and becomes a hooker to support her ailing mother. While there she meets an unmarried teacher (at least he says he’s unmarried) and falls in love. When she learns that he lied and is married to a woman whose child was fathered by another man, she is crushed. He returns to his wife. The woman becomes more distraught when she learns her uncle has misused the money she has sent. As the final straw, her mother dies, and the girl becomes sick.
Iwashigumo / Summer Clouds (1958) Mikio Naruse, Chikage Awashima, Michiyo Aratama, Kumi Mizuno, Drama
A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won’t leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.