Tag Archives: french

Mystery film about a man who finds there is another world to the one we know.
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Unable to sleep in the sweltering heat, a young couple bares their bodies –- and their souls –- to each other over one life-changing night. They didn’t know each other when the night began. It got hot, they stayed in. Now they know each other better than most.
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This art film has no conventional dialog between the main characters. This tells a strangely compelling story of two women in a suburban home who are listening to radio news broadcasts about a missing child in their area.
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At the age of 51 and after 20 months on unemployment, Thierry starts a new job that soon brings him face to face with a moral dilemma. How much is he willing to accept to keep his job?
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Artemisia Gentileschi (1593-1653) was one of the first well-known female painters. The movie tells the story of her youth, when she was guided and protected by her father, the painter Orazio Gentileschi. Her professional curiosity about the male anatomy, forbidden for her eyes, led her to the knowledge of sexual pleasure. But she was also well known because in 1612 she had to appear in a courtroom because her teacher, Agostino Tassi, was suspected of raping her. She tried to protect him, but was put in the thumb screws…
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Egon Schiele Exzess und Bestrafung, also known as Egon Schiele Excess and Punishment (English) and Egon Schiele, enfer et passion (French) is a 1981 film based on the life of the Austrian artist Egon Schiele. It stars Mathieu Carriere as Schiele with Jane Birkin as his artist muse Wally and Christine Kaufman as his wife Edith and Christina Van Eyck as her sister. The film is essentially a depiction of obsession and its constituents of sex, alcohol and uncontrolled emotions.Set in Austria during the Great War, Schiele is depicted as the agent of social change leading to destruction of those he loves and ultimately of himself.
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A philosophy teacher restless with the need to do something with his life meets a young woman suspected of driving an artist to his death. He finds the very simple Cecilia irritating but develops a sexual rapport with her. Obsessed with the need to own and tormented by her inability to respond to him, he becomes increasingly violent in a quest he can’t name – a quest that slowly begins to undermine his certainties.
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In a story interspersed with interview tales of romantic pitfalls, friendship turns to romantic rivalry for gay man Francis and straight woman Marie when a veritable Adonis named Nicolas enters their lives. Sexual tensions mount as Francis and Marie await Nicolas’ show of preference.
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Re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri (Alexis Loret) and idealistic Jules (Adrien Michaux) as they leave their bucolic, rural hometown to separately pursue their baccalaureate – and real world – educations.
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Saint-Maurice, an ordinary peaceful village, lived healthily so much so that the local doctor’s practice was scant. But that was before Dr. Parpalaid retired and was replaced by a charlatan by the name of Knock. A real genius this one, for he soon managed to persuade everyone that they were ill. And not only didn’t they resent him but they even loved their physician, who made a fortune and brought prosperity to the village by turning it into a big hospital.
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Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat tarnished by his adulterous relationship with Creezy, a fashion model seen on every magazine cover. Ready to sacrifice his family for his career, he is eventually faced with the ultimate choice: his career ambitions or a lifetime with his beautiful girlfriend, who has recently mysteriously disappeared.
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In another indictment of the flaws of our so-called civilization, this satire from the late director Marco Ferreri features Christopher Lambert as Michel, a miserable man who has failed at love and finds solace in a mechanical key holder.
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When Massa (Robert Hossein) is released from prison, he’s sure that Luciano (Simon Andreu), an old freind, is responsible for his incarceration. Massa proceeds to keep watch on Luciano, who has been living with Massa’s beloved sister Maria (Marie-France Pisier). Feeling doubly betrayed because of his unhealthy adoration for Maria, Massa is determined to get back at Luciano and ends up in a deadly game of roulette.
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An updating of the Faust legend, with a dash of Fritz Lang’s “Der Müde Tod”, to a 1950’s Paris recreated in vividly abstract expressionistic sets.
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The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she’s adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
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