Tag Archives: french

The year is 1845, the earliest days of the Oregon Trail, and a wagon train of three families has hired mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a shortcut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants face the scourges of hunger, thirst and their own lack of faith in one another’s instincts for survival.
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French director Jean Rollin’s erotic and surreal vampire yarn stars Olivier Martin as Pierre Radamante, a wealthy hedonist who learns that his scientist father, Georges (Maurice Lemaître), is carrying out experiments to unlock the secret of immortality. And that’s not all: It seems that Georges is in league with a ritualistic society involving vampires and evil alien mutants! Caroline Cartier and Catherine Castel also star.
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Three exciting erotic stories about not knowing the boundaries perfidy of women of all ages.
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In 1913, on the night before Jane Porter’s wedding to John Clayton (also known as Tarzan), her bridegroom receives a disturbing vision of his childhood homeland in peril. Much to Jane’s distress, Clayton leaves for Africa to help. The educated explorer Nigel Ravens is seeking the legendary city of Opar, to plunder its ancient treasures. But then Jane decides to follow her fiancé, and he must protect her while trying to stop Ravens and his men.
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Mexican-born, New York-based filmmaker Alfonso Cuarón directed this Mexican box-office smash hit about a pair of randy upper-class buddies that sparked some controversy for its frank depiction of drug use and sexual exploration. With their respective girlfriends away in Europe, Julio (Gael García Bernal) and his upper-class friend Tenoch (Diego Luna) are looking forward to a summer full of drink, drugs, and cheap meaningless sex. During a wedding, they meet Luisa (Maribel Verdú) – the 28-year-old wife of Tenoch’s scholarly cousin – and try to convince her to go on a road trip to Heaven’s Mouth, a made-up beach paradise the two claim is on the Oaxacan coast.
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Gabrielle is 14. She struggles to love Gilles but he ceaselessly wrecks his own life along with other people’s. He steals money from Gabrielle and humiliates her so much that she doesn’t want to see him again. At school, he hits his education supervisor. As a result, his father throws him out of the house. Gabrielle refuses to put him up. The families of his friends want nothing to do with him. So Gilles ends up in the street like a stray dog. By causing turmoil, he soon becomes the neighbourhood’s scapegoat… In the end, Gabrielle is the one who saves him. They flee together and seek refuge in the country, in an abandoned barn. And there they learn to love each other. To get further away, they need money. But the robbery that carry out in a farm goes badly. The police are hot on their heels. What’s the sense in running anymore ?
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Bursting with imagination and having seen her share of tragedy and fantasy, Amélie is not like the other girls. When she grows up she becomes a waitress in a Montmartre bar run by a former dancer. Amelie enjoys simple pleasures until she discovers that her goal in life is to help others. To that end, she invents all sorts of tricks that allow her to intervene incognito into other people’s lives, including an imbibing concierge and her hypochondriac neighbor. But Amélie’s most difficult case turns out to be Nino Quicampoix, a lonely sex shop employee who collects photos abandoned at coin-operated photobooths.
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A dashing officer of the guard and romantic poet, Cyrano de Bergerac is in love with his cousin Roxane without her knowing. His one curse in his life, he feels, is his large nose and although it may have been a forming influence in his rapier-sharp wit, he believes that Roxane will reject him. He resorts to writing letters to her on behalf of one of his cadets, Christian, who is also in love with Roxane but just doesn’t know how to tell her. She falls for the poetic charm of the letters but believes that they were written by Christian.
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In the year 2009, the super-wealthy achieve immortality by hiring “bonejackers,” mercenaries who utilize extensive time travel technology, to snatch people from the past just prior to their deaths, so their bodies could be used by the rich to extend their lives. Those who escape the bonejacking, known as “freejacks,” are considered less than human under the law. The film is set in a dystopic future where most people suffer from poor physical health as a result of rampant drug use and environmental pollution, making them unattractive as replacement bodies…
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Rosalba, a young tourist guide, suffers from a strange ailment: the very least melody sets off in her gesticulation and she beings to dance, as suddenly as uncontrollably. Despite her ruses to hide her eccentricity, this uncontrollable body might well seduce her surprising co-worker, Alain.
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In this film, ‘Her’ refers to both Paris, the character of Juliette Janson and the actress playing her, Marina Vlady. The film is a kind of dramatised documentary, illustrating and exaggerating the emotionless lives of characters in the new Paris of the 60s, where commercialism mocks families getting by on small incomes, where prostitution is a moneyspinning option, and where people are coldly resigned and immune to the human nightmares of Vietnam, and impending Atomic war.
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Maria (Lina Romay) is sentenced to life in prison for the murder of her sexually abusive father (Jess Franco). Upon her arrival at the prison, she meets the cold-blooded, sadistic wardress (Monica Swinn) and the spineless and equally sadistic Dr. Costa (Paul Müller). Together the two systematically torture and abuse the inmates, including Maria, who organizes a plan to rebel and escape. This ‘plot’ serves as an excuse for Franco to depict countless scenes of laughable violence and sordid sex, including lesbian trysts, rape, and female masturbation, with the director’s wild zoom lens performing close-up gynaecological examinations whenever possible.
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During the worst recorded rainstorm in the history of the Midwestern United States, armored truck drivers Tom (Christian Slater) and his uncle Charlie (Edward Asner) are collecting the money from the local banks affected by the rising flood waters. In the small town of Huntingburg, Indiana, which has been evacuated, Tom and Charlie drive into a ditch and become stuck, and Charlie calls dispatch to alert the National Guard. They are then ambushed by Jim (Morgan Freeman) and his gang of armed robbers, Kenny (Michael Goorjian), Mr Mehlor (Dann Florek) and Ray (Ricky Harris). Kenny accidentally shoots Charlie dead, as Tom gets away with the $3 million in cash and hides it in a cemetery…
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In Paris, when the owner of the nightclub Mississippi in Pigalle Paul Latour is wanted by the police accused of distribution of forged dollars in his club, he asks his protégée and lead attraction of Mississippi Jean Clery to protect his beloved daughter Brigitte. Jean is engaged of the psychoanalyst Lily and brings the wild and rebel Brigitte from her conservative boarding school to his fancy apartment while Paul travels to Lausanne to meet a friend to clear his name. While waiting for the return of Paul, Brigitte turns Paul’s life upside down and they fall in love for each other. But the Parisian police and the counterfeit ring are chasing Brigitte, but Jean, his butler Jerome and his friends protect the girl.
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At the end of the century, Satan visits New York in search of a bride. It’s up to an ex-cop who now runs an elite security outfit to stop him…
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