A global war begins in 1940. This war drags out over many decades until most of the people still alive (mostly those born after the war started) do not even know who started it or why. Nothing is being manufactured at all any more and society has broken down into primitive localized communities. In 1966 a great plague wipes out most of what people are left but small numbers still survive. One day a strange aircraft lands at one of these communities and its pilot tells of an organization which is rebuilding civilization and slowly moving across the world re-civilizing these groups of survivors. Great reconstruction takes place over the next few decades and society is once again great and strong. The world’s population is now living in underground cities. In the year 2035, on the eve of man’s first flight to the moon, a popular uprising against progress (which some people claim has caused the wars of the past) gains support and becomes violent.
Tag Archives: english subtitles
Largo viaje / A Long Journey (1967) Patricio Kaulen, Enrique Kaulen, Eliana Vidal, Fabio Zerpa, Drama
Relates the adventure of a newborn child whose brother died shortly after birth. After the typical and unique funeral given to those patients who died (angels) in Chilean working class, the father takes the coffin to the cemetery, but forgets that Understands the boy wings allow the baby to fly to heaven. Determined to deliver the boy is lost in Santiago where misery, loneliness and children as lost as he abound.
Yûrei yashiki no kyôfu: Chi wo sû ningyô / Fear of the Ghost House: Bloodsucking Doll (1970) Michio Yamamoto, Kayo Matsuo, Akira Nakao, Atsuo Nakamura, Horror
Keiko (Kayo Matsuo) and her friend try to find her missing brother after he disappeared on a trip to visit his girlfriend Yuko (Yukiko Kobayashi). They don’t get very far as Yuko’s mother claims the brother ran away after finding out Yuko had been killed in a car wreck the week before his visit. But Keiko finds signs that she might be being lied to.
Jacqueline Audry usually approached her text with great reverence, but here she was revisionist to the point of destruction. Quite why screenwriter Pierre Laroche felt it necessary to emasculate Jean-Paul Sartre’s existential masterpiece remains a mystery. Yet it’s plain to see what a disservice his decision to add extra characters and incorporate other-worldly flashbacks does to the relentless intensity of the original drama, in which a recently deceased trio discover the bitter truth that “hell is other people”. However, Arletty imparts some much-needed class as the ageing lesbian desperately trying to dissuade flirty Gaby Sylvia from hitting on homosexual Frank Villard.
Ginko, the daughter of a poor shoemaker Ginzo, a child was sold to a geisha. From a student she became a real geisha and made her debut under the name of “Peony”. Great anguish caused Ginko molestation host teahouse. In Ginko have a favorite person – doctor Kurisu, but she is forced to leave him and return home in Tokyo. But here, she had all the same poverty. Parents again sell Ginkgo, this time to the north. There she first landlord was going to marry her, but interferes with his mother, who has decided not to allow this marriage, shameful for the honor of the house. He eventually marries another girl. Caught in a quandary, Ginko returns to Tokyo and the third time it becomes a geisha. Hard work, constant bullying Ginko adjusted to the disease. Mistress of her first promises to break a contract in which she serves as Ginko, but when Ginko finally recovers, the owner easily abandons his promises and demands that Ginko continued to work on it.
Casa de Areia / House of Sand (2005) Andrucha Waddington, Fernanda Montenegro, Fernanda Torres, Ruy Guerra, Drama
Áurea arrives at a town in the dunes of State of Maranhão, Brazil, in 1910, having for female company only her mother Maria. She is pregnant and wants a way out of that arid place. But leaving is difficult and, somehow, she still hopes to find happiness there. The film follows these two lives for three generations, including Áurea’s daughter.
Djevojka i hrast / The Girl and the Oak (1955) Kresimir Golik, Tamara Miletic, Ljuba Tadic, Miodrag Popovic-Deba, Drama
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan’s brothers swear revenge.
Les deux timides / Two Timid Souls (1928) René Clair, Pierre Batcheff, Jim Gérald, Véra Flory, Comedy
Bizim büyük çaresizligimiz / Our Grand Despair (2011) Seyfi Teoman, Ilker Aksum, Fatih Al, Gunes Sayin, Drama
The peaceful cohabitation of bachelors Ender and Cetin is disrupted when they allow a friend’s sister to move in with them. The 30-something longtime friends are overwhelmed by the presence of the uncommunicative Nihal. What possessed them to accept the responsibility of a university student in their home? Especially a girl struggling with the trauma of recently losing her parents in a car accident. But simple daily rituals like sharing meals eventually bring the three roommates together for more pleasant moments. Nihal soon comes out of her depressed shell and the two men discover a vibrant beautiful young woman. Always caring and protective gentlemen, Ender and Cetin are intent on being conscientious guardians. Nihal enjoys discussing literature and poetry with scholarly Ender, and she finds comfort in boisterous Cetin’s earthy humor. Nihal is touched by the men’s loyal friendship: in a sort of bromance since high school, Ender and Cetin now seem like an old married couple… Before…
In the summer of 1914, thirteen-year-old Oda von Siering (Paula Beer) leaves Berlin to join her family and an assortment of German and Russian aristocrats on an estate in Estonia. The von Siering family home is a character in its own right, a hulking, neoclassical manor that hovers on stilts above the sea. Oda arrives there bearing her mother’s coffin and a gift requested by her surgeon father: a jarred, two-headed fetus to add to his laboratory of gruesome curiosities. Ebbo von Siering (Edgar Selge) sees himself in his daughter when she calmly and expertly learns to suture the corpse of a cat. What he fails to recognize – and what Oda luckily understands – is that their interest in science is their only similarity. His dedication to experimentation is linked to an appalling obsession with power and destruction, while Oda is genuinely curious about life. Her quick, quiet intelligence complements her humanity and her lucid understanding of right and wrong. When she strays from a family…