Tag Archives: Argentina

An older European woman becomes enchanted with a young Dominican woman who must struggle to make ends meet. Love brings a flow of entanglements in a drama which unfolds like palm trees in an irresistible storm.
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A group of children, age 7 through 14, are left home alone at a house in a secluded community in the countryside. Their innocence is gradually corrupted as they experiment with rule-breaking, ultimately leading to house break-ins around the neighborhood.
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The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.
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From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.
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A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst… A teenage story in the middle of nowhere.
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After his bike and money gets stolen from him, Lucio struggles to find his place in the surrounding reality of Argentina in the years following the military dictatorship. A slowly told story of adolescence of an outcast and a tribute to the neorealistic classics of the 1950s.
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Buenos Aires at the end of summer. Marina, Sofia and Violeta are alone in the family home after their grandmother, who had brought them up, has died. They have to come to terms with her death, each in her own way. Marina concentrates on her studies while looking after the household, whereas Sofia becomes obsessed by her appearance and goes out with friends. As for Violeta, she wanders around between bedroom and sitting room where, from time to time, she receives an older man. Discord, laughter, meanness, gestures of affection determine the rhythm of this period of uncertainty, until one day in autumn Violeta disappears without warning…
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