Tag Archives: Alain Delon

In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the Liceu replacing another teacher.

It’s set within a seaside villa, where under the care of a nanny, a group of children spend most of their days watching violent television shows.

After his last contract, the hitman Martin “Christian” Terrier tells his only friend Michel that he will retire; however Michel advises that the Organization will never let him go. Christian visits his boss Cox to receive the payment for his last work and to inform his decision but Cox does not admit that he quits the Organization.

Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father’s wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe’s friends and the police off the trail.

In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or to help build a new Sicily but his nephew Tancredi, Prince of Falconeri swims with the tide and assures his own position by marrying Don Calogero’s beautiful daughter Angelica. The climatic scene is the sumptuous forty-minute ball, where Tancredi introduces Angelica to society.

After killing a night-club owner, professional hitman Jef Costello is seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner.

Marseille. Heaps of flowers and funeral wreaths… “A man who no longer defends his colors is no longer a man.”

In 1930 Marseilles two small-time crooks join forces when they meet brawling over a woman. Starting with fixed horse races and fights, they start to find themselves doing jobs for the local gangster bosses. When they decide to go into the business for themselves, their easy-going approach to crime starts to change.

Jeff is a gangster who’s disappeared with a million dollars, and Laurent is looking for him to catch him before the other members of the gang find him.

French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda and Lola Albright. The two women move him to a Gothic mansion owned by Albright, a millionaires with a Salvation Army complex. Fonda, her cousin, is hot for him and repeatedly attempts to seduce him while someone is attempting to poison him; and his murderous former associates have got wind of his whereabouts.