Tag Archives: 1970s

Acclaimed Nikkatsu studio pinku eiga filmmaker Chusei Sone directed this action-packed softcore melodrama concerning a group of female ninjas who use sexual magic along with their considerable fighting skills to protect their province from takeover by a ruthless shogun and his band of fighters.
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The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production – performed to great critical acclaim, but only rarely seen live by audiences outside Poland – was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
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At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre killings continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth…people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.
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Wendell Lawson has only 6 months to live. Not wanting to live his last few months of life waiting for the end, he decides to take his own life. He enlists the help of a humorously delusional mental patient, and the movie chronicles his many unsuccessful attempts to kill himself. Will he ever succeed…?
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This Portuguese drama examines the daily life minutiae and intrigues of two scions of society in the rural village where they live. One is a wealthy landowner, the other a widowed aristocrat who lives in a world of her own. “Starting off from a fine novel by Carlos de Oliveira, Fernando Lopes doesn’t so mush reconstitute a story, but rather defines an atmosphere parallel to that which exists in the literary work. The erosion of time, the crumbling of an epoch, the decline of a stately home, the disintegration of emotions: the film version of A Bee in the Rain talks about all these things, using a language that is sparse and unpolished, fascinating and at the same time repulsive in its disturbing silence” (Lauro Antonio).
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When a married man begins an affair with a woman from his past, he comes to suspect her young son intends to murder him.
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In the best traditions of Japanese mystery stories which place fiendishly elaborate plots at their centre, Murder at the Doll House more than succeeds as a classic detective story. We’re presented with a set of strange occurrences which our master sleuth will explain to us in a long lecture at the end and even if one or two twists are a little obvious, the satisfaction involved in having figured them out ahead of time outweighs any kind of disappointment. Toshio may say he wants to be like Philip Marlowe but in actuality his detective is a little more in the European mould – almost like a more active Poirot or a slightly less obtuse Sherlock Holmes. Still, donning a trench coat with a turned up collar yet eschewing the classic hat which would have obscured his giant ‘70s perm, Matsuda once again turns in a very “cool” performance as super smart private eye.
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As the young man, Tom, prepares to leave the Suffolk village of his birth, voices and experiences from his family’s past crowd in on his mind, weaving a poetic tapestry of the love of home and the longing to get away from it.
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Young Terry Lambert returns home from serving a prison term for a gang-rape he was forced to participate in. He seeks revenge on his lawyer and the girl who framed him. But his real problem is his overbearing mother, whose boarding house he resides in and who keeps bringing him glasses of chocolate milk. One of her boarders, Lori, becomes attracted to him. However, while he was serving his prison sentence, Terry developed an interest in rough, violent sex, and gory death. Now, one by one, some of the town’s women pop up dead.
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Musical version of the story in which Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
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After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god, known as “The Daughter of the Sun.”
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A Tokyo man witnesses the death by poisoning of his grandfather, and travels to his hometown of Yattsu Mura to find the killer. Centuries ago, the town was the site of a massacre, and is now the stalking ground of a mysterious serial killer…
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During the Second Punic War, the commander Scipio Africanus (Marcello Mastroianni) is in a crisis because the Roman army can not defeat the many Carthaginian legions of Hannibal Barca. Teaming with his brother Scipio Asiaticus (Ruggero Mastroianni), Africanus manages to destroy the troops of Hannibal at Zama and to win the war. When he returns triumphant to Rome, he realizes that he has been manipulated like a puppet by the consul Marcus Porcius Cato, called “the Censor” (Vittorio Gassman). Scipio, disgusted by the poor Roman politics, withdraws from his rank of general, while Cato plans to destroy with a third war the cursed city of Carthage.
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Jean, returning to Paris after three years of residence abroad and went to the fancy parties, there met his old acquaintance Claire. But she was not alone, but accompanied by a young and attractive blonde Anna. Going after a boring party at a restaurant, Clair said Jean that Anna is her property…
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In International Gangs of Kobe the opposite occurs; it’s Sugawara’s presence that brings out Takakura’s ruthless side. Although the two start off as allied gang members, Kobe proves too small a town for the giants of yakuza cinema. The gang splits into rival factions and Takakura and Sugawara settle their differences with violence. Tons of action and a notable cast make the unexceptional International Gangs of Kobe a load of silly yakuza fun.
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