Tag Archives: 1960s

Two Weeks in September / À coeur joie (1967) Serge Bourguignon, Brigitte Bardot, Laurent Terzieff, Jean Rochefort, Drama, Romance

two-weeks-in-september-1967
Cecile is a young and beautiful Frenchwoman married to a much older Englishman. She loves her husband and seems to be content with her life, until she meets a younger man and feels forgotten passions stirring within her. She now finds herself confronted with a choice: to stay with the steady and peaceful love of her husband, or to run off for excitement and adventure with a new love?
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Strangers When We Meet (1960) Richard Quine, Kirk Douglas, Kim Novak, Ernie Kovacs, Drama, Romance

strangers-when-we-meet-1960
The awarded architect Larry Coe lives a boring marriage with his wife Eve Coe and their two young sons in the suburb. Larry is designing and constructing an unique house to the successful writer Roger Altar (Ernie Kovacs) on the top of a hill. Margaret ‘Maggie’ Gault is a sexy blond sexually neglected by her husband Ken Gault that lives in the same neighborhood and they have a young son.
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Private Property (1960) Leslie Stevens, Kate Manx, Corey Allen, Warren Oates, Crime, Drama

private-property-1960
Duke and Boots, two young thugs, hold up a California gas-station owner. Duke, viral and savage, taunts the slower and psychologically-confused Boots because he has never made a sexual conquest. Duke offers to seduce a woman for Boots and the pair force a passing motorist to pursue a sports car driven by Ann Carlyle, the lustful wife of a insurance-company executive who has some desires of her own not being met by her husband.
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Violent Virgin / Gewalt! Gewalt: shojo geba-geba (1969) Kôji Wakamatsu, Eri Ashikawa, Toshiyuki Tanigawa, Miki Hayashi, Crime, Horror, Erotic

violent-virgin-1969
Filmed entirely in a desolate field, Violent Virgin opens with two cars travelling along a dusty road. Three men and three women, apparently members of a gang, have a couple bound and blindfolded. After they reach their demonstration, they drag the man and woman, whose names we soon learn are Hoshi and Hanako, out of the cars and dump them on the ground. It seems that Hanako was the boss’s girl, but she eloped with Hoshi. Captured, it seems that they are going to be murdered, but not before they are humiliated by the other gang members.
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Don’t Let It Kill You / Il ne faut pas mourir pour ça (1967) Jean Pierre Lefebvre, Lucille Bélanger, Monique Champagne, Suzanne Grossman, Comedy, Drama

dont-let-it-kill-you-1967
Abel, an immature and eccentric man finds himself at a turning point. He sleepwalks through his life, which revolves around his dying mother and journalist girlfriend Madeleine, who is even more immature than he is. Abel is finally made to face up to reality when he has to say goodbye to his mother and then, by chance, he meets an old girlfriend who is about to move to Paris and be married.
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Chimes at Midnight / Campanadas a medianoche (1965) Orson Welles, Jeanne Moreau, Margaret Rutherford, Comedy, Drama, History

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Sir John Falstaff is the hero in this compilation of extracts from Shakespeare’s ‘Henry IV’ and other plays, made into a connected story of Falstaff’s career as young Prince Hal’s drinking companion. The massive knight roisters with and without the prince, philosophizes comically, goes to war (in his own fashion), and meets his final disappointment, set in a real-looking late-medieval England.
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Pierrot le fou / Pierrot Goes Wild (1965) Jean-Luc Godard, Jean-Paul Belmondo, Anna Karina, Graziella Galvani, Crime, Drama, Romance

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Ferdinand Griffon is married with his wealthy Italian wife and has been recently fired from the television station where he worked. His wife forces him to go to a party in the house of her influential father that wants to introduce Ferdinand to a potential employer. Her brother brings the babysitter Marianne Renoir to take care of their children.
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Gertrud (1964) Carl Theodor Dreyer, Nina Pens Rode, Bendt Rothe, Ebbe Rode, Drama, Romance

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In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson. When he also fails to live up to her idealistic standards, she leaves him and imposes on herself a kind of exile of the heart. In flashbacks and in conversations laced with memories, we also learn of her affair with Gabriel, who still wishes she would go off with him, and we learn of her adolescence, with its early expression of her isolating ideal of absolute love.
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