Tag Archives: 1960s

Koruto wa ore no pasupoto / A Colt Is My Passport (1967) Takashi Nomura, Jô Shishido, Chitose Kobayashi, Jerry Fujio

Koruto wa ore no pasupoto (1967)
The melancholy, homely Kamimura is a hit man who takes a job to kill a mob boss who’s gotten greedy. The rival gang lord who hires Kamimura and his driver Shun pays them and sets them up in a hotel for a night while arranging safe passage on a ship. The son of the dead man comes to his rival and offers a partnership and cash in exchange for Kamimura’s death. The boss considers his choice: morals or money? A maid at the hotel tries to aid the escape of Kamimura and Shun. As the two gangs close in, Kamimura chooses honor. Will his stoicism be his shroud?
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The Night of the Generals (1967) Anatole Litvak, Peter O’Toole, Omar Sharif, Tom Courtenay

The Night of the Generals (1967)
In 1942, in Warsaw, a Polish prostitute is murdered in a sadistic way. Major Grau, a man from German Intelligence who believes in justice, is in charge of the investigation. An eyewitness saw a German general leaving the building after a scream of the victim. A further investigation shows that three generals do not have any alibi for that night: General Tanz, Maj. Gen. Klus Kahlenberge and General von Seidlitz-Gabler. They three avoid a direct contact with Major Grau and become potential suspects. As far as Major Grau gets close to them, he is promoted and sent to Paris. In 1944, in Paris, this quartet is reunited and Major Grau continues his investigation. Meanwhile, a plan for killing Hitler is plotted by his high command; a romance between Ulrike von Seydlitz-Gabler and Lance Cpl. Kurt Hartmann is happening and Insp. Morand is helping Major Grau in his investigation. The story ends in 1965, in Hamburg, with another similar crime.
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Sons and Lovers (1960) Jack Cardiff, Trevor Howard, Dean Stockwell, Wendy Hiller

Sons and Lovers (1960)
Jack Cardiff received a 1960 Oscar Nomination as Best Director for this lush, engaging film starring Trevor Howard, Dean Stockwell and Donald Pleasence, which was adapted from D.H. Lawrence’s classic novel. A young man with artistic talent who lives in a close-knit, English coal-mining town during the early 20th Century finds himself inhibited by his emotionally manipulative, domineering mother.
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Ten Little Indians (1965) George Pollock, Hugh O’Brian, Shirley Eaton, Fabian

Ten Little Indians (1965)
Up to a house high on a mountain top have been invited ten people who are strangers to each other. When they are all gathered, they hear from their host that each one of them has in someway caused the death of an innocent person and that justice had not be served in their cases. There are eight guests and two servants there for the weekend, but one by one, they are being knocked off according to the poem of “Ten Little Indians”. As the number of survivors decreases, they begin to believe that the killer is one of the group, but are unable to decide on which one he or she may be.
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La 317ème section / The 317th Platoon (1965) Pierre Schoendoerffer, Jacques Perrin, Bruno Cremer, Pierre Fabre

La 317eme section (1965)
In 1954, the Indochina War begins to come to a close following France’s defeat by the Viet Minh at the deadly Battle of Dîen Bîen Phû. French forces are in full retreat and risk being overrun at every turn — including the 317th Platoon, a unit of French soldiers and Laotian allies who are led by the idealistic but inexperienced sous-lieutenant Torrens and adjutant Willsdorf, a former soldier in the German Wehrmacht during WWII. Their survival depends on completing a trek through the dense, jungle-laden, expanse of enemy territory that stands between them and the safety of the nearest French outpost.
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A Taste Of Blood (1967) Herschell Gordon Lewis, Bill Rogers, Elizabeth Wilkinson, William Kerwin

A Taste Of Blood (1967)
Mild-mannered Miami businessman, John Stone, receives a parcel from England containing two old bottles of Slivovitz brandy and upon drinking them both, becomes a vampire. Stone uses his new-found vampire powers to keep his wife, Helena, in a trance as he travels to England to kill the descendants of Van Helsing whom murdered Count Dracula while Hesling’s distant relative, Howard Helsing, pursues Stone with the intent to put the re-born vampire to rest for good.
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Pote tin Kyriaki / Never on Sunday (1960) Jules Dassin, Melina Mercouri, Jules Dassin, Giorgos Foundas

Pote tin Kyriaki (1960)
Illia is Piraeus’s most popular person: an energetic prostitute, full of life and good humor. Every day, she swims at the pier, entertaining the dock hands. Sundays she has an open house with food, drink and song. Homer Thrace, an amateur philosopher from Middletown, Conn., arrives in town to find out why Greece has fallen from ancient greatness. He decides Illia is a symbol of that fall, so he sets out to study and to save her. Unknown to Illia, he gets the money for the books and all else he gives her from Mr. No Face, the local vice boss who wants Illia retired because her independence gives other whores ideas. Whose spirit is stronger: Homer’s classical ideal or Illia’s?
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