Tag Archives: 1960s

Motor Psycho! (1965) Russ Meyer

Motor Psycho (1965)
Three bad boy motorcyclists get kicks raping other people’s women and generally being a nuisance. When they rape a veterinarian’s wife, he takes exception and pursues them, teaming up with a Cajun woman whose husband they killed. The leader of the gang, a Vietnam Vet, begins showing signs of being a few slices short of a loaf.
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Le combat dans l’ile (1962) Alain Cavalier

Le combat dans l'ile (1962)
The son of a French industrialist, Clément is a right wing extremist who belongs to a secret militant right wing organization that uses whatever means necessary, including violence, to achieve its goals. His wife Anne, a former German actress who gave up her career to be the doting wife, knows somewhat of his extremist views, and suspects he would indeed kill if need be as witnessed by what she finds hidden in their house. He often treats her poorly, especially out in public as she maintains the façade of her former celebrity, which he believes is her acting like a whore. Regardless, she is compelled to stay in the marriage. After he and a right wing colleague assassinate a Communist figure, that assassination which goes slightly awry, Clément and Anne hide out in the country home of Clément’s childhood friend, Paul, who knows nothing about Clément’s extremist views. Paul is a democrat and pacifist. Clément is forced to leave to pursue a mission, leaving Anne behind.
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L’espion / The Defector (1966) Raoul Lévy

L'espion (1966)
Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who’s recruited by a shady CIA agent, named Adam, to help them with the defection of a Russian scientist. But an East German secret agent, named Peter Heinzeman, learns of Bower’s meeting with Adam and threatens Bower to mind his own business, while Bower learns of a back story to all this involving stolen microfilm that each side wants.
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Divorce American Style (1967) Bud Yorkin

Divorce American Style (1967)
After 17 years, things have got too predictable and stale. They argue, they visit a marriage counselor, Richard (drunk) visits a prostitute. They split up. After meeting other people, they are re-united at a night club where they realize that their marriage was better than their divorce.
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Démanty noci / Diamonds of the Night (1964) Jan Nemec

Demanty noci (1964)
Diamonds in the night is the tense, brutal story of two Jewish boys who escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a group of old, armed home-guardists. The film goes beyond the themes of war and anti-Nazism and concerns itself with man’s struggle to preserve human dignity.
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Viimne reliikvia / The Last Relic (1969) Grigori Kromanov

Viimne reliikvia (1969)
A medieval love story with lots of adventures. The times are troubled – there’s a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A nobleman promises to get it if he gets beautiful Agnes as a reward. But she fells in love with a handsome adventurer. The monastery has to act shrewd now and play double game. The movie is still the best achievement of the Estonian cinema. Based on a novel.
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The Greatest Story Ever Told (1965) George Stevens

The Greatest Story Ever Told (1965)
George Stevens’ epic production. “My God, My God, why hast thou forsaken Me?” It is towards this climactic crossroads that the story of Jesus of Nazareth leads, and to which, at the final moment, it again looks back in triumphant retrospect. It is the anguishing crossroads where the eternal questions of faith and doubt become resolved.
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