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Earth sends its first manned probe to Mars in 1999, and a jealous Martian murders the two astronauts when his wife has erotic dreams of meeting them. Members of a subsequent expedition are hypnotized into believing that they have landed in the childhood community of their leader and have been reunited with deceased family and friends, and they are poisoned by the Martians. Col. John Wilder leads a third expedition and learns that a chicken pox virus brought to Mars by the first two expeditions has almost eradicated the Martian population. A member of Wilder’s team becomes obsessed with protecting Mars from Earthman and murders some of the others in Wilder’s party, before Wilder kills him. Colonists arrive on Mars to settle, among them priests seeking God, and a lone Martian masquerades as the most desired persons of various settlers. Global war on Earth reduces man’s natal planet to radioactive waste, and most of the settlers returned there prior to the holocaust.
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One night he will fetch the silver from the night sky Jonas loves his fathers magical stories. When Helge dies, Jonas ends up in an orphanage whereupon dreariness and discipline rule his life until a group of circus performers appear in the village.
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Juan, a young man convicted of terrorism, is given amnesty from a Lima prison; he boards a bus to return home and, in his mind’s eye, recalls events in his village near Huaraz when he was 10 or 12. His father is long dead, his mother lives with Fermin, secretly a sympathizer with the Communist guerrillas in the hills. Town leaders are assassinated at night. When Juan discovers Fermin’s secret, Juan is spirited away to the guerrillas to learn Marxist slogans and how to fight. When the band decides to attack the town to avenge the death of a comrade, Juan must choose. There are no white hats on any side: critical thought without love of life bears no fruit, writes Erich Fromm.
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A hillbilly sharpshooter becomes one of the most celebrated American heroes of WWI when he single-handedly attacks and captures a German position using the same strategy as in turkey shoot.
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A story about young orphan girl who was rejected by her mother. The film won the Golden Leopard at the Locarno International Film Festival in 1970.
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Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, “disguises” herself as a boy, “Sylvester.” They are joined by amiable con man Jimmy Monkley, then, after a brief career in crime, meet Maudie Tilt, a giddy, sexy Cockney housemaid who joins them in the new venture of entertaining at resort towns from a caravan. Through all this, amazingly no one recognizes that Sylvia is not a boy…until she meets handsome artist Michael Fane, and drama intrudes on the comedy.
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Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who’s recruited by a shady CIA agent, named Adam, to help them with the defection of a Russian scientist. But an East German secret agent, named Peter Heinzeman, learns of Bower’s meeting with Adam and threatens Bower to mind his own business, while Bower learns of a back story to all this involving stolen microfilm that each side wants.
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Melanie enjoys flirting and having little affairs. Her husband Victor seems to bear her antics with utmost calm and nonchalance. This impression turns out to be wrong, very wrong indeed.
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Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
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A runaway bride and an eccentric vagrant embark on a surreal journey in a twisted world reflecting 60s pop culture, sex, and politics.
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Convinced of his own intelligence and talent, René Brunel (Robert Hossein) decide to try that is above the bourgeois and kills an old pawnbroker in cold blood morality. Gallet commissioner (Jean Gabin), case manager, we will pursue relentlessly and subtle, convinced it has something to do with it. Suffocating pressure that added to the ideas raised in his talks with Lili Marcelini (Marina Vlady), a prostitute he has met recently, make awareness of René fall on him without mercy.
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Oyuki, the Virgin is based on Kawaguchi Matsutaro’s adaptation of Maupassant’s “Boule de Suif” (“Lump of Fat,” also the inspiration for Ford’s Stagecoach). To this story Mizoguchi added some of his own elements. Maupassant’s original work, set during the Franco-Prussian War, is the story of a group of people who try to flee the battleground in a horsedrawn carriage. The bourgeois use the expression “lump of fat” to refer sarcastically to the prostitute who is riding along with them. When they are caught by the enemy, they offer to send her to the commander as a human sacrifice. This done, when they leave the battlefield the next day, all they do is censure her and call her vulgar.
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Famed English painter Priam Farll has spent the last 25 years living in various remote locations with only his trusted manservant, Henry Leek, for company. While Farll is summoned to London to receive a knighthood, Leek falls ill and dies. Wishing to avoid the ostentation knighthood ceremony, the reclusive painter assumes his valet’s identity. Farll, posing as Leek, soon receives a letter from Alice Chalice, a widow who has been corresponding with Leek through a marriage bureau and is expecting to finally meet her beloved in person…
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A medieval love story with lots of adventures. The times are troubled – there’s a revolt of peasants going on. To secure its safety a monastery chases for a relics of a holy Brigitte. A nobleman promises to get it if he gets beautiful Agnes as a reward. But she fells in love with a handsome adventurer. The monastery has to act shrewd now and play double game. The movie is still the best achievement of the Estonian cinema. Based on a novel.
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Gille Jenkins, a 12 year old tomboy and compulsive liar living in a sordid tenement with her single parent mother, witnesses the murder of an immigrant Polish woman living in an nearby apartment by her former boyfriend, Bronislaus Korchinski. The young merchant marine becomes distraught when he discovers that she has become the mistress of a married British sports announcer and shoots her with her own gun. Gillie lies about the circumstances in order to keep the gun which she discovers where Korchinsky hid it. She ultimately bonds with him and misleads the police in their investigation.
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