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The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers to), the head-quarters of a group of smugglers, with stolen money intended to ransom his loved one who is forced to work in a brothel.
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Two gay men on a date are murdered the night before Halloween in West Hollywood, California. Eddie and his friends Joey, Chaz and Tobey are going out the following night to the West Hollywood Halloween festival when they encounter the psycho, who sets his eye on them. The killer stalks them through the festival as Chaz parties, Joey chases his jock crush, Tobey tries dressing in drag, and Eddie pursues Jake, the bad boy he wants to get to know better. Not until the very end do you find out who dies and who survives their night of terror.
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After a brief description of the legends of Bigfoot by the narrator, this film goes on to show what the hairy monster might really be doing with his time in the woods: watching women get naked and have sex. After spying on a couple of college girls sleeping together in a remote forest cabin, Bigfoot then stumbles across a couple having sex in the woods. After he chases off the man to have a little fun of his own with the woman, the film then leaves Bigfoot to follow the exploits of the two college girls as they encounter a troupe of skinny-dipping hippies.
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Jake Scully comes home to find his girlfriend with another man and has to find a new place. In between his acting workshops and his job in a vampire B-movie, he scans the paper looking for anything. He happens to meet Sam Bouchard, a fellow actor who needs a house sitter. Both are pleased with the arrangement that will have Jake staying in the house and for a sweetener, Sam shows him his favorite neighbor, a well-built woman who strips with her window open each night. Jake becomes obsessed with meeting her and is able to help recover her purse from a thief, but shows his own phobia, he is incapacitated by claustrophobia when the thief runs through a tunnel. When Jake witnesses a murder, he finds out that the police love to pin crimes on peeping Toms. Jake discovers that here are just too many coincidences but must hunt them down himself without the police.
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This Thriller/horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her boy friend, a carnival clown, succeed and takes her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother’s terrifying dreams and psychic connection to the girl and find her before it is too late.
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Have you ever met someone who made your body heat up, get a little nervous and sweaty, and made your crotch stir a bit? Sexual Tension: Volatile will reignite those lustful feelings as it weaves six scintillating experiences of men in various stages of nudity and many forms of erotic male bonding. A pulsating, sexually-charged thrill ride, the film begins as a young man feels the adrenaline rush of his sexy tattooist’s needle in “Ari” while in “The Cousin,” a geeky, cute boy finds a hot Summer afternoon triggering his taboo desire for his Speedo-clad cousin. Two straight buddies literally show each other how to make love to a woman in “The Other One,” while a man with ‘Broken Arms’ receives a sensual sponge bath from a male nurse. “Love” is questionable when a broken shower brings a married man and a hairy, innkeeper together when they least expect it and in “Workout” two muscular men, ‘sexting’ pictures to some hot chicks, begin to shed their clothes and inhibitions.
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Stefano Pasetto’s finely balanced tale of two women from different generations and very different sensibilities provides a surprising answer. Frustrated in each of their relationships, the two women get together and leave town, boldly striking out on their own and forming an indelible bond despite their many differences. This is only the beginning of a wonderfully liberating experience that defies narrative expectations.
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A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an “execution” of the main protagonist and goes back to explore his previous actions and motivations.
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Unhappy marriage causes divorce. Brosnan (new husband) and wife attempt to build a new life, and move to a new state. However, the ex-husband follows and the story unfolds from there.
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Captain Hardt (Conrad Veidt), a World War I German submarine commander, is ordered to lead a mission to attack the British Fleet at Scapa Flow. He puts ashore on the Orkney Islands to meet his contact but finds more than he bargained for in the local schoolmistress (Valerie Hobson).
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The popular Ivor Novello musical play Glamorous Night was given a conservative film treatment in 1937–minus much of the Novello score that had made it famous. Opera singer Mary Ellis plays an opera singer (why not?) who falls in with a band of roguish but likeable gypsies. Mary manages to convince her Bohemian cohorts to rescue the King from the machinations of his ambitious prime minister. As “cast insurance” to make certain that Glamorous Night would get American bookings, Hollywood character actors Otto Kruger and Victor Jory are given leading roles. The US distributors also sliced the film down from 81 to 65 minutes, through the simple expedient of removing several songs.
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A group of film students burn paper effigy cameras for the wandering spirits during the ghost month in Singapore and receive a collection of horror movies in return. The first film received, GHOST POOL LEG, revolves around Chinese superstition in which ghosts are believed to pull swimmers legs to drown them. The second movie, XIAO BAO BAO, focuses on a young woman’s haunting experience after taking a postmortem photograph of a suicide jumper. The third movie, SKIN DEEP, finds a group of shoppers stuck in a mall elevator with a mysterious and beautiful woman who holds a terrible secret. The fourth film, REKINDLING, features a heartbroken hawker, a missing China bride, and the mysterious ring she left behind. The final film comes with a price.
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One of Woody Allen’s earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country’s dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen’s later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides.
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Tender romantic comedy about an aspiring musician who arrives in New York in search of fame & fortune. He soon meets a taxi dancer, moves in with her, and before too long a romance develops.
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Sonja, once a popular Serbian actress settled in Slovenia is on a short visit to Belgrade. She panics claiming that her daughter Sofia has been kidnapped, then disappears. Inspector Despotovic is assigned to the case and when he finds Sonja, she admits that she made everything up, that she never had a child, and therefore there was no kidnapping. But a Secret Service veteran approaches Despotovic and tells him that the story about kidnapping is true. It is highly classified information. The father of the child is Foreign Affairs Minister. On the other hand, Minister claims that the Secret Service has made everything up trying to compromise him. Despotovic is puzzled… Who is lying? Who is telling the truth? Who is insane? Who is about to die?
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