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Professional burglar Nat Harbin (Dan Duryea) and his two associates, Baylock (Peter Capell) and Dohmer (Mickey Shaughnessy), set their sights on wealthy spiritualist Sister Sarah (Phoebe Mackay), who has inherited a fortune – including a renowned emerald necklace – from a Philadelphia financier. Using Nat’s female ward, Gladden (Jayne Mansfield), to pose as an admirer and case the mansion where the woman lives, they set up what looks like a perfect break-in; even when Nat’s car is spotted by a couple of cops, he bluffs his way through, gets the necklace, and makes the getaway. But the trio – plus Gladden – can’t agree on how to dispose of the necklace, and soon their bickering becomes a lot less important than the fact that someone is on to what they’ve done – a woman (Martha Vickers) is working on Nat, while a man (Stewart Bradley) is working on Gladden. Equally serious, the trio kills a New Jersey state trooper while on their way to warn her. And among the cops chasing them is one with larceny in his heart and murder on his mind.
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Legendary detective Mike Hammer has spent seven years in an alcoholic funk after the supposed death of his secretary, Velda. He is brought back to the land of the living by his old friendly enemy, police lieutenant Pat Chambers.
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Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.
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The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.
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The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world, when her grandmother dies. Notwithstanding her healthy distrust of all strangers, which her upbringing instilled in her, it is not long before a cunning racketeer finds her weak point, that temptation which she cannot resist, that weakness, different as it may be, that each of us has, and brings her into his power.
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Margot, who lives in a comfortable middle class apartment, fears that she is losing her mind after having had her second child. Her husband Kurt, who is busy studying for an exam, does not understand her situation. Her mother-in-law and sister-in-law Lore are openly hostile to her. She resorts to valium and drink, and looks for sympathy, but to no avail.
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Love makes the world go round. At least that’s what Marcel and Kyle believe, until they suddenly discover that love can alternatively flip the world upside-down. When certain elements are set into motion, they tend to stay in motion. If tampered with, they can spin out of control. Marcel and Kyle are in love at first sight, and even though they can’t legally marry, they will find a way to make it work. French Marcel marries their lesbian friend Sarah so he can stay in the USA with Kyle. Together they can overcome any obstacle, hurdle any barrier. Together they cannot be stopped. Enter Kyle’s sister April, a former prostitute. She needs a place to crash, but for how long? Taking a quick dislike to Marcel, April methodically drips poison into their happiness. But where Marcel sees a conniving woman with a not-so-hidden agenda, Kyle only sees his sister – in need. And how do you choose between family and the love of your life? Why should you have to?
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Young, beautiful and intelligent, Trevor (screenwriter Brent Gorski) is in a stalemate. Entangled in an unhealthy relationship with Darrell, a self-destructive heroin addict, and trapped in a telemarketing job, Trevor finds scant comfort in Los Angeles’ vapid party scene, where conversation rarely rises above inquiries like “So, are you an actor?” Worse still, he and his two best friends – roommate Andie and singer Jake – are being pulled apart by boredom and discontent. At the hospital for his boyfriend’s latest overdose, Trevor finds a potential new beginning in Ephram, a medical intern with ambition, a warm demeanor and strikingly good looks. After they spend a romantic evening together, Trevor seems poised to make some changes. He begins by ending his relationship with Darrell and then strives to reconnect with Andie and Jake. But what should be a joyous event – a party celebrating a negative HIV test – explodes into rage and sorrow.
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George Radcliffe’s testimony sends Donald Heath to prison for murder and the theft of over 60,000 pounds. Soon after, Radcliffe invests a large sum of money in an ultimately profitable business venture. Martha Radcliffe begins to suspect her husband of the crime.
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In Nagasaki, Japan, on 09 August 1945, at 11:02 AM, 80.000 dead and thousand of persons wounded or contaminated by radiation were victims of one of the most hideous crimes of the mankind history. This low-budget movie is a dramatization of this deplorable event, based on the report of one of the survivors of the ‘day after’ of Nagasaki.
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Peter Winkler’s new job offer is about to take him away from his lover Hella, but he has been keeping it a secret from her. Mutual lack of trust and vicious gossip threatens their relationship as they plan to make their farewells.
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Bound, gagged and blindfolded, several teens are grabbed in the middle of the night and taken to Redback, a youth behavior modification facility deep in the Australian bush. They’re completely cut off from the rest of the world; isolated and tested in the unforgiving camp. Rumors travel through the camp that a few years earlier a girl reportedly hanged herself. But that’s just a rumor. Only the dead girl and her murderer know the truth and the dead don’t talk… unless they find someone who can hear them.
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After meeting in a chat room, Fede (22) arrives at a downtown building to have an intimate encounter with a gay couple older than him. As the night unfolds, Fede has an intense and telling experience. The next morning finds him different, as if suddenly he had found a new possible way to love.
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Pedro, a gay man with an active social life and big circle of friends, takes in his nephew Bernardo for a couple weeks. When it appears as though it might become a permanent arrangement, however, Pedro turns to his friends for guidance as he and 9-year-old Bernardo begin to forge a household together.
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Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.
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